The Grand Narrative

Creative Korean Advertising #12: Calvin Klein Underwear

Posted in Creative Korean Advertising, Korean Advertisements, Korean Sexuality by James Turnbull on April 21, 2009
korean-calvin-klein-underwear-bra-lingerie-advertisement( Via: scaryideas )

While probably a first only for Korea, such audacity is a good reflection of the veritable revolution that’s occurred in the Korean lingerie industry in recent years, with a plethora of both foreign and new Korean companies now challenging the previous triad of Try Brands, BYC and Taechang as women get increasingly bored with their standard white, black and beige selections and only a small variety of designs. And more daring too: whereas modesty dictated that one had to disguise the fact that one was wearing lingerie in the early-2000s (see this commercial from 2003 for a good illustration of that), fashions are very different now. From a 2007 article in the JoongAng Daily:

Kim, a fashion-hungry Seoul girl, went on to disclose more underwear secrets as she walked out of the department store. “Do you remember when Winona Ryder wore a bright red bra under a white tank top during an award show and the straps showed?” she said, with a smile. “To tell the truth, I’ve been copying that look all summer.”

Looking around the Apgujeong area recently, it seemed that Kim wasn’t the only one. Han Hye-seong, 25, was wearing a flowy peasant skirt with a loose top, under which her colorful bra straps were strategically placed to be noticed. “Five years ago, these [straps] would have been clear. But now, I hardly ever see clear straps being sold,” she said.

And it’s probably no coincidence that Korean women generally no longer wear t-shirts over their bikinis and swimsuits at the beach too.

Given that background then, I’m not sure that I agree with this Korea Times report from last week that claims that it’s because of the recession that couples are electing to spice up evenings at home with sexy underwear rather than go out for a meal or something: correlation doesn’t mean causation, and maybe by this stage Korean women would have started buying “T-panties” and so on regardless?

(Any new readers wondering why Korean lingerie models are usually Caucasian, like in this example, see here)

Update: Naturally, blogger Samhita at Feministing doesn’t like it, calling it “Sexist, Voyeuristic, and Pervy,” although for a change many of the commentators to that post disagree with her.

Update 2, April 29th:

I’ve just found this advertisement in passing (source), and while it’s probably not Korean (there’s no information about where the picture was taken), it uses a similar logic:

wind-powered-underwear-advertisement

But for some reason that I can’t fathom, I find this advertisement slightly distasteful, but not the first. Perhaps because there’s a voyeuristic, “upskirt” element to it? In which case, I can slightly better understand (if not concur with) objections to the first one now, and it says a lot about the region of the world that I’m in that that one didn’t bring to mind notions of wet t-shirt competitions, whereas the second reminds me of things like this and this instantly!

Update 3, July 18: Neither the article nor the comments to it are really worth my translating, but for what it’s worth an article about the ad made the front page of Yahoo! Korea today.

(For all posts in the “Creative Korean Advertising” series, see here)

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Love Stinks: Why More Korean Women Wear Deodorant Than Men

Posted in Body Image, Cosmetics, Korean Advertisements, Korean Sexuality by James Turnbull on April 18, 2009

성유리-sultry-sung-yuriIn today’s Korea Times. I’ll chime in here with links and extra information that I couldn’t provide in the 800 words allowed there, although…man, with the huge and obvious typo in the title there, I fear that that won’t be enough to salvage my reputation!

“Men can sweat up to 50% more than women,” or so says deodorant maker Rexona. Yet not only do very few Koreans ever wear deodorant, advertisements for it that have started appearing in recent years have almost exclusively been aimed at women.

Far from being counterintuitive however, a study published last Monday in the journal Flavor and Fragrance demonstrates that women have very good reasons to pay more attention to how they smell.

Researchers at the Monell Chemical Senses Center in Philadelphia asked male and female volunteers to rate the strength of 32 underarm sweat samples collected from both genders, and then 32 more that had been disguised by different fragrances typically used to control or mask underarm odor. While both men and women rated the unadulterated samples as equally strong, 19 fragrances successfully disguised the smell for men, while women were deceived by just two.

Investigating further using only female volunteers’, again the unadulterated samples were rated equally strong, but whereas six fragrances succeeded in disguising the men’s smells, as many as 16 worked on the women’s.

Yes, I also thought that it was strange to test only female volunteers in the second series of tests, and I’m confused about the composition of the sweat samples in the first series too: were they just random samples from men or women, were they mixed together into some form of asexual smell, or what? Unfortunately, the above is the best I could make out from 4 even more confusing and widely divergent reports on the study here, here, here, and here, and with what I’m being paid then my sense of journalistic integrity doesn’t quite extend to paying for access to the study itself I’m afraid!

In other words, while women’s noses are more sensitive than men’s, their own odors are more easily disguised, leading women to wear more deodorant or perfume than men.

Naturally there’s much more to it than men’s worse sense of smell, as I’d wager that – at the moment at least – in most cultures it is much more culturally acceptable for women than men to spend a great deal of time and money investing in how they smell, and express an interest in “smelly things” in general, although this study does at least point to a possible biological basis for that. One commentator on one of those other reports argues that the proportion of male to female chefs suggests otherwise, but others argue that that is more due to discrimination than anything else.

As an aside, in the mating game, this may not always be good strategy: other research has shown that the scent of a woman’s sweat is particularly attractive to men at the most fertile time of her monthly cycle.

( Composite images of women taken with the most (L) and least (R) amounts of estrogen when ovulating. Source )

I’ve lost the link behind that sorry, but with the proviso that what counts as “common sense” and “natural” in gender studies and behavioral science is very much dependent on its era (scroll down a little here for a classic demonstration of that), with so much else about women being the most attractive at the most fertile parts of their cycles then I don’t think that readers will be needing much convincing.

But there is much more than this behind the gender bias in the marketing of deodorant in Korea.

In their low deodorant uptake, Koreans are the exception rather than the rule. While it is true that the first aerosol deodorant was launched as recently as 1965, the first roll-on applicator tested in 1952, and Mum, the first ever commercial product for preventing body odor, only invented in 1888, every major civilization as far back as the ancient Egyptians has left a record of its efforts at disguising underarm body odor. So what makes Koreans so different?

Diet, weight, fitness and climate certainly all play a role in how much one sweats, how smelly it is, and one’s ability to smell others. While explanations involving ethnicity are fraught with danger, it is true that Northeast Asians have fewer of the apocrine sweat glands most associated with odor than average. Famous human behavioralist Desmond Morris (The Naked Woman, 2007) has argued that this makes them less susceptible to body odor. But while Northeast Asians on the whole may smell less than other groups, that does not mean that many individuals – particularly men – can relax about their personal hygiene.

That many do is probably at least partially due to a host of cultural and economic factors: for instance, during much of Korea’s recent history deodorant would have been considered a luxury that few needed and even fewer could afford; a notion that still lingers in the gifting of such basic items as spam and cooking oil for national holidays. Another is Korean men’s mandatory military service, a defining experience forcing youngsters to get used to going without many everyday basics.

nivea-deodorant-korea-데오드란트With a nod to all the commentators on my earlier big post on deodorant use and its marketing in Korea.

On the other hand, given women’s physiological advantages and their dominance of the “smelly industries” worldwide, the very word “perfume” has feminine overtones to many Western male ears. It is reasonable to assume that “deodorant” has similar connotations for most Korean men. Yet looking at the popularity of kkotminam or “flower men” in Korea, challenging traditional notions of masculinity and spending more time and money on their appearance, deodorant manufacturers should be keen to tap into a whole new market.

Unfortunately the timing is bad: while “look at this strange side of the recession!”-type stories are in vogue at the moment, with everything from skirt lengths, alcohol and tobacco consumption, number of breast enlargement surgeries, lipstick sales, and even vasectomies variously being described as going up or down with the economy, experience from the financial crisis of 1997-98 suggests that sales of men’s cosmetics are about to drop. After four years of 10-20% growth from 1992, sales dropped 28.6% the next year, and ad spending by 37%.

Those last figures come from p. 125 of “The Trend of Creating Atypical Male Images in Heterosexist Korean Society” by Lim In-Sook, Korea Journal, Vol. 4 No. 4 Winter 2008,  pp. 115-146, available online here. They put paid to any side-notions I had that flower men ideals for men partially came from the need to stand out in the suddenly very competitive job market after the Asian Financial Crisis (which just goes to show that women’s changing tastes probably had more to do with it!), but given their relative popularity now then that may not be what happens to sales of men’s cosmetics during this latest recession though.

When (if) things pick up though, forget about those Korean deodorant advertisements for women that emphasize mother figures and friendships. Expect those for men to associate the right deodorant with sexual success.

Another recent study from the International Journal of Cosmetic Science has demonstrated that how a deodorant makes a man feel is much more important than any changes to his scent. Lest that sound like exaggeration, researchers found that women looking at men through one-way mirrors rated those wearing certain deodorants more attractive than others, due simply to the confident swagger the act of wearing the deodorant had given them!

An annoying, tantalizing way to end an article? That must mean I’m learning the tools of the trade then! For that above study see here, and I discuss it in more detail in that earlier post of mine.

(Image sources:  Seong Yu-ri (성유리) from here, and Nivea promotion from here)

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“Breathless”: A New Korean Movie on Domestic Violence

Posted in Domestic Violence, Korean Media, Korean Movies, Korean Sexuality by James Turnbull on April 17, 2009

똥파리-breathless-movie-posterMy own series of posts on domestic violence in Korea is on temporary hiatus as I realize I should finish others first, but in the meantime the new movie “Breathless” (똥파리, or “shit fly” in typically earthy Korean) on that theme looks like something I should definitely take some time to watch. In the words of Korea Times reporter Lee Hyo-won, whose film reviews are of such high quality that I confess I cut out and keep most of them:

…”Breathless” explores the murky gray zone between compassion and cruelty, redemption and revenge, and the blessings and curses of family bonds. In a nutshell, it’s a family drama that’s inappropriate for children. While harrowingly violent, however, the multiple-award winning film by director-lead actor-producer Yang Ik-june seethes with warmth and humor.

The film is making headlines for entering almost 20 international film events and picking up top prizes, including, most recently, the SIGNIS Prize and the Audience Award, Wednesday, at the Buenos Aires International Independent Film Festival. And the movie does not disappoint, and establishes Yang as a name to watch out for.

Read here for the remainder, and here for an interview and short biography of producer, director and lead actor(!) Yang Ik-june (양익준), who sounds like a bit of maverick:

”I want to say ‘ – you’ to the world through my films,” he said. He also wants to show the male private parts onscreen someday. ”Koreans think it’s artistic when they see it in a foreign film, but here they censor it. We feel unstable in this world because we want things to be safe all the time, but we need to be courageous,” said the director, who respects cineastes like John Cameron Mitchell (”Shortbus”). ”Sex is part of life,” he said.

For more on the recent decision to allow Shortbus to be screened, see here. I definitely share his sentiments, and as someone notorious among my friends for never shying away from sexual topics myself, then I very much look forward to more films from him!

(Image Source: KoreaFilm.co.kr)

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