Growing up Adopted: Asian Premiere Production of “Between”
A one-woman show about adoption by Amy Mihyang, Between:
…encapsulates her experiences as a Korean American woman, a New Yorker, and most of all, a transracial adoptee. Bringing the audience with her on the plane en route from NYC to Korea, the author contrasts her journey with the echoes of other adoptees and those touched by the act of adoption. Mihyang makes us ask ourselves, “Do we need to know where we came from in order to know where we’re going?”
And as The Korea Herald describes her performance:
Mihyang adeptly embraces her characters ― from a confused young girl, desperate to assimilate in America, to a distraught woman confronting a forbidden pregnancy in Korea ― with heart-felt conviction, shifting the audience from empathy-laden sadness to laughter with ease.
For more details, see the press release here, or click on the poster below:
Apologies to readers for not mentioning the show earlier, but fortunately there’s still many chances to see it later this week!^^
Korean Gender Reader
(“Alice {The Devil’s Bride}” by Stephen Fabian; source)
1) Rape and “Blood Money”
In essential reading for all expats, Ask a Korean! clears up misunderstandings about how and why victims of crimes are often offered the choice of quick financial compensation from perpetrators, rather than the latter automatically being prosecuted by the state. With a lot of pros in practice, unfortunately there are also some big cons in relation to sex crimes specifically:
Probably the biggest flaw is that often, a victim of a crime cannot properly assess the extent of her loss through the crime. If a person is beat up, the person might suffer a lingering damage that does not flare up until the settlement amount was computed. Also, sometimes it is not the victim herself who enters into the settlement. This used to lead to an incredibly outrageous situation in case of child molestation. As noted above, rape is a private crime. Since a child does not have the legal decision-making authority, the parents would handle the private crime process. And often, a molested child would come from a broken home, in which the parent would rather take a lump sum of cash right away rather than ensuring that the child rapist would go to jail. (Fortunately, this situation was redressed in 2008 by a new law that made child molestation a public crime.) Also, the inclusion of rape as a private crime is roundly criticized by many legal scholars, as it puts a burden on the victim to pursue what is a very serious crime that significantly threatens the social order. (To be sure, rape with battery, i.e. a violent case of rape, is a public crime. But, for example, a date rape involving drugs is a private crime.)
2) Non-Asians in Korean Music Videos: A Response
(Source)
3) A Place of Refuge: The Sae Gil Shelter
A very welcome follow up to its February article on the Busan performance of the Vagina Monologues (videos below), BusanHaps tells us more about the Sae Gil Shelter for victims of domestic violence, which the show managed to raise 3.4 million won for.
While the funds are desperately needed of course, fortunately great strides have been made in combating domestic violence in recent years, primarily due to a 2007 law change that requires police to forward all cases of domestic violence to a prosecutor (the previous 1998 law just left it up to their own discretion). For more details, see here.
(Via: Koreabridge)
4) South Korea Keeps Its Military Ban On Gay Sex
In a 5-4 decision last month, the Constitutional Court ruled that a 39 year-old military law criminally punishing homosexual soldiers for performing sexual acts in military barracks is constitutional. As the AFP reports:
“The legal code cannot be seen as discrimination against gays because such behavior, if left unchecked, might result in subordinates being harassed by superiors in military barracks,” it said in a statement. The law’s purpose was to ensure discipline within the whole military organization, the court said. The ruling came after an army military court filed a petition with the Constitutional Court. It asked whether the military criminal code, written in 1962, was discriminatory against gay soldiers and thus unconstitutional. Homosexuality is not illegal under the civil legal code.”
A somewhat hollow-sounding defense considering overwhelming evidence of systematic and widespread sexual harassment and abuse already occurring, as outlined here and here. Also, OnTop Magazine adds that “The Military Penal Code further punishes gay troops by lumping together consensual and non-consensual gay sex as sexual harassment”, and the The Korea Times that ‘offenders’ are also given a dishonorable discharge after leaving jail. This effectively punishes them for life in a society where military service is widely regarded as a de facto requirement for “real” citizenship.
Meanwhile, in other LGBT-related news, gay filmmaker Kim Jho Kwang-soo – only the second man in the entertainment industry to come out of the closet – has announced his marriage (alas, not legally recognized). And I’m No Picasso discusses the unfortunate consequences for one her students of Korean society denying and/or marginalizing homosexuality.
(Source: Barry Deutsch)
5) International Comparison of Gender and Unpaid Labor
For a pleasant change, Korea is only slightly worse than the OECD average for the extra unpaid labor women do compared to men.
Also, for a very interesting new book on the subject that I look forward to buying when it’s available at WhatTheBook? (hint hint), see Shattered: Modern Motherhood and the Illusion of Equality by Rebecca Asher.
6) The Female Writer in Korea
Charles at Korean Modern Literature in Translation on the first two chapters of Ideology, Culture, and Han by Younghee Lee, which are “a brief but quite interesting analysis of women writers in the Joseon and early Modern periods”.
7) Banned Music Video of the Week: Mirror Mirror (거울거울) by 4Minute (포미닛)
Or at least, the consensus is that one particular dance move in it soon will be. If the song itself is not to your liking, then skip ahead to 2:16.
8) Booking Clubs
Perspectives on Korean and Los Angeles Booking Clubs from Blog in a Tea Cup and Hyphen Magazine respectively.
9) The Jang Ja-yeon Tragedy: Making it all go away
Committing suicide 2 years ago because of forced prostitution by her managers, alleged letters by Jang Ja-yeon (장자연) detailing the string of VIPs, including directors, media executives and CEOs she was forced to have sex with have (naturally) been getting a lot of attention recently. See The Three Wise Monkeys for the definitive guide to all the latest developments in that case.
10) Cosmetic Surgery on the cheap
GeekinHeels discusses some sort of tape used for creating “V-lines” she was given as a gift, while Martina and Simon of EatYourKimchi are a little braver and try the ones for double-eyelids for themselves:
Reading the Lolita Effect in Korea, Part 3: Six Year-Old Does KARA’s “Butt Dance” (엉덩이 춤) on “Shabekuri 007″
(Source)
(Update: as YouTube flags me for copyright violations if I post the video there, then please see here or here instead)
Thank you to everyone who’s emailed me about Japanese child star Ashida Mana dancing to KARA’s Mister on a Japanese talk show. For anyone interested in some context, issues raised, and why I think it’s problematic, then please first read Part 2, all of which was written in response to my one of my own daughters doing something similar at her kindergarten. Frankly, it was eerie how much Ashia reminded me of her.
Meanwhile, here’s the “Butt Dance” (엉덩이 춤) being referred to, with handy English subtitles:
Next, assuming that you’re read that earlier post, then consider these additional observations from Meenakshi Durham’s The Lolita Effect, which seem particularly apt here:
…Increasingly, adult sexual motifs are overlapping with childhood — specifically girlhood, shaping an environment in which young girls are increasingly seen as valid participants in a public culture of sex.
In some ways, this is not a new idea: in the 1932 short film “Polly Tix in Washington”, a four year-old Shirley Temple played a pint-sized prostitute. Sashaying around in lacy lingerie and ropes of pearls, she announced “Boss Flint Eye sent me over to entertain you…but I’m expensive!”. Critics have commented on the overt lewdness of this and other films the toddler was case in as part of the “Baby Burlesks” series, which were designed for adult viewers and included frequent scenes of little girls in diapers aping the sexual behaviors and attitudes of much older women. In latter films too, Temple projected an “oddly precocious” sensuality, as the film historian Marianne Sinclair has observed — in fact, the acclaimed novelist Graham Greene was sued for commenting on it a film review. (pp. 115-116)
Indeed, Temple herself later described the series as a cynical exploitation of her childish innocence. Appearing from 3:16 below, you’ll soon see why:
But why is it deeply disturbing when 4 year-old Shirley Temple assumes sexual poses and all but blurts out that she’s interested in having sex with the “men”, whereas it’s supposedly as kawaii as hell for 6 year-old Ashida Mana to do, well, almost exactly the same thing? Granted, some actual kissing is involved in the former, but then I’d argue that the majority of viewers would still find the film at least a little concerning without it. In contrast, I’d wager most of us have much more mixed feelings about Ashida Mana, and I’m curious as to why.
With me, I think it’s through seeing my daughter Alice in Ashida, and knowing that she’s completely unaware of the implications of what she’s saying, instead simply having fun and/or fulfilling her natural urge to mimic the behavior of adults. But which is not quite the same as saying it would have been okay for her dance to the much more sexual Mister rather than Lupin at her kindergarten however, let alone for any child do it on national television simply for our titillation.
But other than that, I’ve pretty much said all I can myself in that earlier 3400(!) word post, so I’d really appreciate hearing your own thoughts!^^
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