Korean Gender Reader
(Source)
If you’ll please indulge an old Korean Studies geek for a moment, Girlfriday’s review of Dancing Queen (댄싱퀸) at Dramabeans this week instantly reminded me of The Adventures of Mrs. Park (박봉곤 가출사건), from way back in 1996. After all, both are about wives who blatantly defy their husbands to follow their dreams of becoming singers, both are comedies, and – I’ll take a wild guess about Dancing Queen – both wives are ultimately successful.
One likely difference though, is that Mrs. Park runs away from her husband. And in fact, The Adventures of Mrs. Park was the first Korean movie to ever show a wife getting away with such insubordination.
That may sound difficult to believe today, but director Kim Tae-kyun (김태균) would later confess to Cine 21 magazine that he was extremely concerned at how audiences might react to such “an unexpected ending”. As even comedies back then would invariably close with continued happy marriages, while more realistic movies would show a miserable and destitute wife returning home with her tail between her legs.
In contrast, I doubt director Lee Seok-hoon (이석훈) has any such qualms in 2012. And it’s always quite sobering, realizing how much Korea has changed in the time I’ve been here.
So, while I doubt I’ll ever make the effort to track down and watch The Adventures of Miss Park for myself (all of the above is based on this book chapter), I will watch Dancing Queen. For not only is Hwang Jung-min (황정민) my favorite actor ever (see here for my review of A Good Lawyer’s Wife {바람난 가족; 2003}, the first movie I saw him in), but I’ve always had a soft spot for Uhm Jung-hwa (엄정화) too, as she was very much the queen of K-pop when I came to Korea back in 2000. Here’s my favorite song of hers from back then (just give me the word, and I’ll translate it in a flash!^^):
And after all that reminiscing(!), finally here are this week’s links, in no particular order:
• What K-pop can teach us about the ROK military (Seoulbeats)
• Foreigners organize flash mob against prostitution (The Marmot’s Hole)
• ‘Dream High 2′ cast express the need for laws protecting minors in the industry (Allkpop)
• Sexual harassment widespread in workplaces (Hankyoreh)
• Did the Piggy Dolls ruin their credibility? (Mixtapes and Liner Notes)
• Essential information for understanding divorce in Japan: there is no such thing as joint custody of children (Economist)
• How Korean fashion is seen from an international perspective; opposed to how Koreans think it’s seen (Noona Blog: Seoul)
• K-pop’s first lesbian love story? (Seoulbeats)
• Congratulations on the Dragon baby! (On Becoming a Good Korean {Feminist} Wife)
• 290,000won bags for elementary kids – competition at the extreme? (Hangukdrama and Korean; also see my post on how pink and princessey the schoolbag ads for girls are, but sporty and full of space-shuttles and racing-cars for boys)
• [Debate] Leave ancestral rites where they belong- in the past (Hankyoreh)
• [Debate] Cultural rites provide key to understanding ourselves (Hankyoreh)
• “Holiday stress for an average married Korean woman is as bad as the pain of losing a close friend” (Arirang)
• Statistics on social trends in Korea – a great resource (Korean Journal of Sociology; scroll down to the “research guide”s)
• Roundtable: our friend, MOGEF (Seoulbeats)
• Harsher punishment urged for pedophiles (Korea Times)
• Monfemme: gender, feminist, and medical anthropology in the steppes and deserts of Mongolia (Blog recommendation)
Oh In-hye: “I don’t regret wearing that revealing dress”
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Does actress Oh In-hye (오인혜) count as a pin-up grrrl?
A virtual unknown before she wore that dress at the opening ceremony of the 16th Busan International Film Festival, she is certainly not above using sex-appeal to advance her career. But of course, that is not something to celebrate in itself. Rather, it can only be considered at all empowering if the woman involved simultaneously exalts in her sex appeal (to both men and women), whether as sexual object, subject, role model, or all three. And above all, she must a) be explicit about what she’s doing (or at least not deny it), and b) not stray out of character by, say, infantilizing herself with cutesy aegyo in the first endorsement deal she lands.
By those criteria, actually very few female celebrities qualify, no matter how much they’re touted as confident, independent, and daring by the Korean media. Oh In-hye did remain a possibility though, as mentioned at the end of my November post first outlining the concept of pin-up grrrls, and as far as I know hasn’t been blessed with the opportunity to behave like a 13 year-old in a TV commercial yet.
All hinges on her own personal explanations/justifications then, which is why this recent interview of her caught my eye. However unlikely-sounding, could she also be considered a role-model?
Alas, once I started translating it, my respect for her plunged faster than her neckline. For not only does she again claim that her choice of dress was completely random, and that she expected no reaction to it whatsoever, but she’s particularly disingenuous when she claims to be worried that her image would detract from the message of her two movies in one Red Vacance, Black Wedding (붉은바캉스, 검은웨딩), as in fact both are essentially soft-porn poorly disguised as art-house cinema (see the NSFW trailer below; tellingly, downloads of the movie are extremely easy to find). Indeed, now I’m more convinced than ever that the dress was actually a deliberate and surely collaborative effort to draw attention to the movie, as first suggested to me by an audience member at a recent lecture I gave in Daegu (apologies for not remembering your name sorry!).
And on that note, apologies also for the irritating faux informal and friendly tone of the reporter, which remains in the original Korean. Unfortunately, as I lamented back in November, beggars can’t be choosers for interview sources. Especially on this topic!
(Source)
“I Don’t Regret Wearing That Revealing Dress”
Issue-maker Oh In-hye, main star of Red Vacance, Black Wedding, Dreams of becoming a “humanist actress”
Busan Focus, December 6th 2011, p. 23. Reporter: Jang Byeong-ho.
“There have been big changes since the Busan International Film Festival (BIFF). At the time things were just crazy, but now I’m quite relaxed. Things have returned to what they were like before BIFF”.
On the 5th, I met Oh In-hye at a coffee-shop in Seoul, the actress who has been in the spotlight for wearing such a striking dress at BIFF earlier in the year. I couldn’t help but be curious at how she felt about being at the center of such controversy.
“Before I went to the film festival, I thought my visiting it would just be reported as “An actress called Oh In-hye attended”, she said, but to her it was her first time, and an amazing experience. Also, while she was very hurt by malicious news reports and what netizens wrote about her, she confidently said to herself to “have no regrets”, and that “If I am to go again to the opening ceremony of a film festival, I’ll wear a revealing dress again. But perhaps revealing just a little less though!” (laughs).
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Also, Oh In-hye is thinking about using the interest in her as an opportunity, “It’s all water under the bridge. Instead, now I have a goal of changing my revealing image. And if I have a goal, I should work on it, right?” she openly and honestly revealed, a complete contrast to the sexy demeanor she possessed when she was wearing the revealing dress [James - having a goal isn't sexy???]. But she also said that she was worried that her revealing image would distort the message of her coming movie Red Vacance, Black Wedding, coming out on the 8th of December.
Oh In-hye has yearned to be an entertainer since she was very young, but didn’t set on an acting path until the relatively late age of 22 [James - she is 27 now]. From 2 to 3 years ago, she has worked without an agency, and firmly said that she “has no plans to join one. I want to be a humanist actress, not just an entertainer who makes issues”.
Finally, she admitted that the director Lars von Trier and the actress Penelope Cruz, Oh In-hye revealed that “increasing my acting ability by studying a lot of acting is my biggest homework!”, leaving this reporter curious about her [James - new?] honest and forthcoming persona (end).
To play Devil’s Advocate, Korean news reporters are notorious for sometimes simply making news up, let alone being very sloppy with their fact-checking. But nevertheless, Oh In-hye’s claims that she would loudly and proudly wear an almost equally-revealing dress at the next film festival are undermined by her wearing a more demure one at BIFF’s closing ceremony. On the other hand, she did wear a very revealing one just a few days after this interview, but that again casts serious doubts on her claims to be worried about “her revealing image [distorting] the message of her movie”, which came out just the day before.
In short, nothing in the interview can be taken at face-value, and frankly now I’m a little embarrassed to present it here. Sigh. Rest assured though, that from now on I’ll be a little more discerning when I hear that a female celebrity has bared all to a reporter, and – as always – would appreciate readers passing on any they find by more reliable sources (including of male celebrities!).
“A Korean Nip and Tuck to Look Like a Film Star”
A recent short BBC video about Korean medical tourism, focusing on East Asians coming to Korea to look like their favorite Hallyu stars.
Fellow old-timers may be reminded of this similar story from 2004, about Korean women asking cosmetic surgeons to give them Lee Hyori’s butt, and so on.
(K)Pop Art는?
(Sources: left, right)
What comes to mind when you hear that Korean(?) cosmetic brand Clio (클리오) hosts a biennial Clio Cosmetic Art exhibition? That it sounds more like a brand tie-in than a genuine attempt to encourage original and thought-provoking art? The purist in me couldn’t agree more, especially when you consider that some works in the 4th (2009) and 5th (2011) exhibitions were not just inspired by, but use the very same photos as Clio’s own advertisements, prominently featuring brand endorsers Kim Ha Neul (김하늘) and Lee Hyori (이효리) respectively.
When its at the behest of the advertiser itself, arguably the ensuing pop-art loses its edginess.
But art doesn’t have to be radical to look good. What’s more, when you combine the images with the women themselves, then the juxtapositions are like an intellectual wet dream, the afterglow of which has had me buzzing for the last week.
For which are the more real? The flesh-and-blood women in the Insa Art Center (인사아트센터) in Seoul’s Insa-dong district? Or Ha Neul and Hyori the mass-produced visual commodities, with which we are much more familiar?
Groovy…
(Sources: left, right)
But although the pictures did indeed persuade me to take down my handful of books on hyperreality and postmodernism, yet again I rejected them as unnecessarily abstruse, even for a geek like me. Also, Lee Hyori in particular (I’m less familiar with Ha Neul) is actually so down-to-earth and accessible that arguments that she’s merely a media creation can’t be sustained, one positive of Korean celebrity culture that I’ll be discussing in a lengthy post next week soon.
Until then, let me just pass on the art itself here, hoping to inspire more aficionados amongst you.
First, see here for a brief English introduction to the 5th exhibition, then the following graphic about it for a quick snapshot. If there’s anything on it you particularly like, click on the graphic itself to go to the Clio website, then on the specific artwork on the graphic there to get a quick (Korean) bio of the artist.
To any K-pop fans, see if you guess where you’ve seen Mari Kim’s work before:
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For many more large and/or high-definition pictures of the art and exhibition hall itself, see here, here, here, or here (beware the automatic music in the last one). My favorite work is easily The Magic (also known as Masic) by Park Dae Cho (박대조) below (the one using the same photo as a Clio advertisement), which you can see a zoomable version of here:
(Source)
Note though, that it’s actually a color-changing transparency in a light box rather than a static image, like most of Park Dae Cho’s works (which you can see more of on his blog):
That video doesn’t really do justice to it though, as it must really have been quite mesmerizing when viewed close-up. For the best equivalent, click on the following image:
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As for those of you that share my love of juxtapositions, alas, there seems to be a conspiracy of exhibition-goers to avoid taking decent pictures of Lee Hyori standing next to this particular artwork in particular, this one always cutting it in half for example, or this one being so much more interested in the contents of Lee Hyori’s dress that he ruined the contrast. But decent, albeit smaller and/or watermarked versions can be seen here, here, or on Park Dae Cho’s blog itself.
Meanwhile, if you haven’t guessed already, Mari Kim (blog; Facebook; Twitter), not to confused with (the also – quite literally – cool) Miru Kim, is the artist behind 2NE1′s (투애니원) I am the Best (내가 제일 잘 나가) album cover, and the Hate You music video:
(Source)
Finally, unfortunately there was much less interest in the 4th exhibition with Kim Ha Nuel, but Dramabeans does have a good English introduction to it, and again Clio has a snapshot image, although without links to the artists this time:
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See here, and here for more pictures of the exhibition, and here and here for more shots of juxtapositions.
What do you think? Please let me know, and I’d very much appreciate it if readers could pass on any more examples of interesting juxtapositions and/or celebrity-related Korean pop-art. I’d be especially interested in anything featuring men, as I’m curious if I’m only interested in the Clio exhibitions because they’re centered around two attractive women. I’m sure that’s not the only reason I like them (what do female readers think of them?), but probably it’s much more important than I’d like to admit!
Update – Sorry for forgetting to mention it in case you wanted to go, but unfortunately the 5th exhibition ended back in May. But see you at the 6th one in 2013! :D





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