Sorry that I haven’t posted for so long everyone. I was very busy with offline work for two weeks, then I caught a terrible cold which lasted another two weeks…which means now I’m busier than ever. But, I would like to get writing here again, and I can think of no better way to start than by offering a book giveaway!
For this first one, I’ve selected Labyrinth of the Past by Zhang Yiwei. It’s a good book, but frankly it was a frustrating read for me personally, because the publisher’s website gave me the wrong impression of what to expect. Know what it’s really about though, and you’ll enjoy it from the get-go.
Here’s the offending description, which has two big problems:
Labyrinth of the Past is a collection of short stories that explore the lives of young women raised by single mothers in China, a country that is unforgiving to unmarried women and their children.
A dark, yet engrossing look at the lives of these girls, each story examines their personal struggles with family and the greater world around them. Coping with the stigma of being the daughter of a single mother, most of these women can’t seem to form anything but dysfunctional relationships, from mothers to friends to lovers.
While often frank and terribly bleak, these stories provide a vivid and real view of the women who struggle against a history they can’t change, in a culture that has difficulty accepting them.
That stigma surrounding unwed mothers is very real in Korea, so I partially chose the book to gain some insights into what it was like living with it. You can imagine my surprise and disappointment then, when it never even came up. Primarily, because none of the mothers are “unmarried” in the sense of never having married, but are all divorcees or widows instead. Which, given China’s skyrocketing divorce rates since Deng’s reforms, probably doesn’t carry any stigma at all:
The number of divorces has risen steadily in the new millennium, with one in five marriages now ending in separation. In 2006, the divorce rate was about 1.4 per one thousand people—twice what it was in 1990, and more than three times what it was in 1982….The number of divorces in the first three months of 2011 increased 17.1% year-on-year….Beijing leads the country with nearly 40 per cent of marriages ending in divorce, followed closely by Shanghai.
I’m happy to be corrected by any readers raised by female divorcees or widows, and/or with more knowledge of China, who may be able to read between the lines and see the influence of a stigma on the characters where I can’t. But if so, it’s still a very peripheral theme at best, and should really be removed from the description on the website (fortunately, it’s not mentioned on the back cover, which I wish I’d read instead).
The second problem is that the book is about the lives of young women, yet two of the seven stories—”Scab Addiction” and “No Choosing Today”—are entirely about the characters’ childhoods. In particular, in the former the character-narrator is revealed to be still in high school, making it a terrible choice for an opening story. Had I picked up the book in a store, expecting it to delve straight into the lives of adult Chinese women, I would have rejected it on the spot.
Again, this is not a criticism of the book per se, and of course all the remaining stories are indeed from women’s perspectives, with “A Good Year”, “Love,” and “Summer Days” all covering dating, marriage, and/or sex. “I Really Don’t Want to Come” too, covering the narrator’s increasing disdain for kowtowing to ancestors as she grows older, and frustration with what the ceremony means for her split family, is something many Koreans (and their foreign partners) will surely relate to. (“Memory is the Slowest” though, I just found confusing—I’m still not really sure what it’s about). But it’s also a real pity, because, once I got over the disappointment of reading something very different to what I’d been sold, and was able to take a fresh look at the book, ironically I came to find Zhang Yiwei’s depictions of childhood to be one of its biggest strengths. Her ability to evoke its timelessness, the sense of children’s whole worlds confined to just a few streets and fields, and our fuzzy, malleable memories of that phase of our lives is really quite remarkable (frankly, it immediately reminded me of the magic realism of 100 Years of Solitude), and that should be highlighted in its marketing.
Another strong point is showing how profoundly the issue of housing impacts ordinary Chinese citizens’ lives. That may sound rather boring at first, but it looms large in a country with such breakneck development, huge internal migration, and consequent vast urban/rural and home-owning/renting divides, and accordingly it’s a constant concern for many of the characters in the book, some of whom are stuck in limbo because their property is in an absentee husband or father’s name. Indeed, as if to rub that in, recently the government manipulated the ownership laws in a bid to thwart the divorce rate, taking a great leap backward for women’s rights in the process:
…the Chinese government has expressed alarm at the soaring number of divorces and its threat to the traditional Chinese family. In 2011, China took controversial steps to discourage divorce, reinterpreting the marriage law so that residential property is no longer regarded as jointly owned and divided equally after a divorce. Instead, it will belong exclusively to the spouse who bought it or whose name is on the deed, which is usually the husband, even if the wife helped pay for the property. This means that upon divorce many women might find themselves homeless.
At a time of soaring property prices, real estate is often a couple’s most valuable possession, and the revised law has caused many women to consider more carefully whether they really want to get married. Chinese media reported that marriage registrants plummeted as much as 30 percent in some cities weeks after the revised law was announced in 2011.
Update, August 2015: For more details, I highly recommend listening to this Office Hours podcast interview of journalist Leta Hong Fincher, author of Leftover Women: The Resurgence of Gender Inequality in China (2014).
The verdict? I can’t lie—despite its strengths, the cover price of $13.95 is a little steep for such a slim book (160 pages), especially with some of the stories being so frustratingly short. But it’s definitely worth the $10-ish or even cheaper on various websites it’s selling for at the moment, especially if you know what you’re in for.
But first, remember I have two free copies to give away! Please just leave a comment below, and a week from now I’ll pretend to select two of you at random to receive them (make sure your email address is correct!). Really though, if you’d like to get to the head of the queue, please do bribe me with interesting comments about single mothers and/or something China-related!
What are you waiting for? ;)
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(Source: *cough* Ilbe)
The Grand Narrative 
