Urgent—Your Quick Help is Needed to Unblock my Blog Please! (FIXED)

Estimated reading time: 3 minutes. Photo by Andrea Piacquadio from Pexels

FIXED!

Thank you SO MUCH for your help everyone, I don’t think I could have done it without you.

And honestly, being blocked has kind of had a silver lining too. I’ve been really touched and surprised by how quickly everyone has responded, and for all your kind messages about how much my blog means to you. All this time, I’ve really had no idea at all!

The least I can do in return is to endeavor to keep writing and posting, and more consistently 😉

Thanks again then, and for being such awesome readers over the last 13 years.

Stay safe everyone!
Love,
James 😍

(Original post below.)

Sorry to ask, but I really need 3 minutes of your help please.

I need you to go to Facebook, copy and post this link to my blog—https://thegrandnarrative.com/—and when a message pops up saying “Your post couldn’t be shared, because this link goes against our Community Standards,” to click on the “If you think this doesn’t go against our Community Standards let us know,” and then leave a brief message explaining there’s clearly been a mistake, and for Facebook to please review the problem. Please make sure to post the link to my blog again in the message too.

Thanks. I know it doesn’t seem much, but you’ve no idea how helpful this is to me!

The reason is, trolls have gotten my blog blocked on Facebook.

Yesterday, I was unable to publish my last blog post on Facebook, as it went “against community standards.” That was annoying, but no biggie—I figured probably the algorithm mistakenly flagged the opening image as nudity or something. This sort of thing often happens to feminism and sexuality blogs (sigh), and normally all that is required to remove the block on the post is choosing a different image, and/or then reposting under a different url.

That didn’t work this time. In fact, my whole blog is blocked. All 800 posts and 13 years’ worth of work. Even all the links already on Facebook are blocked.

As you can imagine, people not being able to share your work on Facebook is a nightmare for a writer.

Frustratingly, Facebook gave no warning, and never gives any specific information about any alleged offense. The only clue I was able to receive at all was when I tried using the Facebook sharing button at the bottom of my posts:

There you have it. Given the timing, possibly those responsible are the same trolls on Twitter who recently targeted me for the heinous crime of simply linking to the awesome Unseen Japan site (I had to block more people on Twitter in the next 24 hours than in the previous 12 years!).

But whoever turns out to be responsible, they’re taking advantage of an all-too-common tactic used against feminists. All they have to do is report a site they don’t like, whereas the only thing you, I, or anyone can do in response is filling out the same “let us know” form above. (I’m very open to other ideas though!)

To add insult to injury, even at the best of times Facebook is notoriously unreliable in responding to those messages, let alone by a human. But right now, Facebook has cut its human support staff due to the Corona virus.

In other words, the worst possible thing has happened to my blog, at the worst possible time. There’s every possibility my blog may be banned from Facebook for months or even forever, all because of a few trolls.

That’s where you come in. With all your messages about my blog going through too though, there’s a much, much better chance that an actual human will receive one of them, give my blog a glance, and instantly realize the block was a mistake.

Thank you very much again then, for taking the time to send a quick message, and for being such awesome readers over all these years. With your help, hopefully this will all be resolved soon! :)

(Update: if you’re having difficulties, please just try typing in www thegrandnarrative dot com instead, and/or posting it in a comment on Facebook rather than in a new post. Those alternatives have been working for some people.)

If you reside in South Korea, you can donate via wire transfer: Turnbull James Edward (Kookmin Bank/국민은행, 563401-01-214324)

Was 21 Year-old Jeon In-hwa *Forced* to Appear on TV in a Swimsuit?

The #MeToo era may be the first time that older models and actors have ever been able to open up about their own experiences. When they do, the media should listen.

Estimated reading time: 5 minutes. Source: YouTube.

Sometimes you have to state the obvious to show just how absurd and unfair an everyday situation is.

One such is the constant stream of movie posters featuring women with no heads. So, comedian Marcia Belsky countered that with the ‘Headless Women Of Hollywood’ project, pointing out that heads are “first and foremost the thinking part of the human body, where our motivations and feelings are located.” It naturally follows that the headless images of women “we are bombarded with on a daily basis, tell us persistently that [their] thoughts, feelings and personal agency either don’t exist or are of no interest. Further, facial features are the way we recognize other people. It’s the face that makes us individuals. That too is taken away.”

Source: Extreme Movie (left, right).

Smiling faces then, and the consent implied within, seem obvious counters to charges of objectification. Again, it naturally follows that the world would be a better place if everyone bore that in mind in their production and consumption of popular culture.

Yet ultimately they can only be a guide too. And one which often falls under the weight of its numerous exceptions.

The MV for Spring Girls by Sunwoo Jung-a is replete with headless, ostensibly objectifying imagery. Yet it remains “both feminist and as sexy as hell.” Source: YouTube.

I’ve covered many of those exceptions elsewhere, as well as US philosopher and law and ethics professor Martha Nussbaum’s argument for necessary distinctions between ‘positive’ and ‘negative objectification.’ And yet another is the reality that actors’ and models’ smiles are often plastic, belying their unpleasant experiences with the photoshoots themselves.

No-one reading this would suppose otherwise. But again, it’s sometimes necessary to be reminded of the obvious. Because without the giveaway of the title, no-one would have ever suspected there’d been anything untoward about the following, utterly innocuous-looking commercial:

Featuring now well-known drama star Jeon In-hwa (54), it was her first for Julia Cosmetics’ ‘two-way cake,’ way back when she was 21. I only read about it at all, because first, a few days earlier I’d learned happened to then 22 year-old Japanese actor and model Kiko Mizuhara in 2013:

Source: @UnseenJapanSite

And next, only because that prompted a double-take I did when I stumbled across the following segment of the January 20, 2020 episode of Naturally, in which Jeon In-hwa explains her own similar negative experience with that commercial, when she was about the same age:

Source: YouTube.

Specifically, from the 1:00 mark, Jeon In-hwa, Han Ji-hye, and So Yoo-jin begin talking about the former’s commercials in her youth:

And from 1:20, her issues with the one of her wearing a swimsuit (my emphases):

지난 20일 방송된 MBN ‘자연스럽게’에는 전인화가 출연해 처음이자 마지막 수영복 차림 광고에 대한 이야기를 언급했다.

…전인화는 “저 광고 때문에 울었다”며 “그 때는 절대 방송에서 파인 옷이나 수영복을 안 입으려고 했는데 현장에 가니 수영복이 준비돼 있었다”고 말했다. 이어 “너무 안 하고 싶어서 울었지만 결국 설득돼서 찍었다”고 덧붙였다.

On [yesterday’s] episode of Naturally, Jeon In-hwa’s ad was mentioned, her first and last appearance in a swimsuit.

…”I cried because of that commercial,” Jeon In-hwa said. “I had absolutely no intention of ever wearing revealing clothes or a swimsuit on TV then. But once we got to the shooting location, [I saw that] a swimsuit had been prepared [for me].” She added “I cried that I really didn’t want to do it, but in the end I was persuaded to, and the shooting went ahead.”

Jeong So-yeong, MoneyS, 21/01/2020.

All over in a few seconds, I admit I lay myself open to charges that I’m blowing things out of proportion. My title—maybe a little clickbaity. Jeon In-hwa doesn’t seem particularly wrought over the memory. She humorously—but explicitly—doesn’t want to talk about it (much) either. And the potential downer is quickly passed over by her costars.

“Persuasion” potentially covers a wide range of sins too, but doesn’t automatically mean “coercion.” What point then, is there in dwelling further on a young, inexperienced actor and model overcoming their nerves 34 years ago?

Alternatively, even if something more sinister did occur, there would be little possibility of legal recourse after all this time. Moreover, Korea has draconian libel and defamation laws, which are regularly used to silence sexual harassment and rape victims—and both Julia Cosmetics and Korea’s largest advertising agency Cheil Worldwide are very much still around.

I would tend to agree with letting it go then, if Jeon had gone on to do more commercials in swimsuits and/or revealing clothes. But she didn’t. For a young, attractive female model and actor destined to become a huge drama star, ultimately with 24 more years of endorsement deals ahead of her, that avoidance borders on remarkable.

Unless her first experience was genuinely traumatic?

Jeon In-hwa in 2016, reminiscing about being a reporter at 20 before she got her break as an actor and model. Source: Seoul Economic Daily.

The possibility means she at least deserves to be (gently) asked what happened in 1986 exactly. Yet not a single media outlet has followed up on her unburdening. Believe me, I’ve looked.

Yes, legal issues remain a concern. But if it’s not possible to talk about her experience in the #MeToo era, then when?

Without asking the questions, her costars, the producers of Naturally, and/or the media missed a golden opportunity. At the very least, for encouraging others to come forward, and for fostering a small moment of solidarity with different generations of victims.

Instead, their collective nonchalance perpetuates the absurdity and unfairness of another everyday occurrence. That crying your eyes out and then being forced to smile as you wear revealing clothes in front of strangers? It’s just what women have always needed to do, and always will need to do to secure that modelling gig, right? It’s certainly not something newsworthy.

I’m just saying I think maybe it should be.

What do you think?

If you reside in South Korea, you can donate via wire transfer: Turnbull James Edward (Kookmin Bank/국민은행, 563401-01-214324)

We Can…Make 집밥?!

Estimated reading time: 2 minutes.

If I was going to misappropriate Rosie the Riveter, I like to think I’d come up with a more inspiring, more imaginative tagline to accompany her than “Home-cooked food, made with a sincere heart and fresh ingredients.”

Sigh.

Fortunately though, this ad for a local restaurant is not the first Korean version of the We Can Do It! poster I’ve ever seen. That would be “우리는 할수 있다!” by cartoonist Jen Lee, which I just got a print framed of for my birthday my daughters:

Curiously, they seemed nonplussed at its proud display in our living room. So, feeling especially generous, I also got my huge poster from the “Arrival of New Women” exhibition framed for them to place alongside it. After all, what better gift could there possibly be for 11 and 13-year-old girls, right?

Source: National Museum of Modern and Contemporary Art, Korea. (Not technically my poster, as it was difficult to take a picture without being reflected in the glass!)

Alas, memorabilia from something only I actually attended, about a group of women dear to my heart but which they’ve barely heard of, failed to tear them away from their phones either.

But seriously, I’m hoping having the posters around will make them curious. And I’ll try to refrain from overwhelming them with books when they do ask about them.

Meanwhile, it’s two years too late to get an exhibition poster yourself sorry. But the lavishly illustrated and commentary-dense accompanying (Korean) book is still available on Korean book sites, and well worth it. Kevin Michael Smith’s excellent, extensive review of the exhibition and discussion of Modern Girls and New Women in general is also newly available online at the Cross Currents journal. (Update: Chung Jae-suk’s review at Koreana is a must-read too.)

Finally, prints of “우리는 할수 있다!” can still be bought here. But perhaps only for as long as stocks remain available, as Jen Lee is sadly inactive these days(?). So make sure to order one yourself soon!

Stay safe everyone! :)

If you reside in South Korea, you can donate via wire transfer: Turnbull James Edward (Kookmin Bank/국민은행, 563401-01-214324)