Visual Dreams (비주얼드림) by Girls’ Generation (소녀시대): Lyrics, Translation, and Explanation

Apologies for not providing the lyrics for Girls’ Generation’s (소녀시대) 2010 hit Oh!(오!) as promised, but then I’m much too addicted to DJ Areia’s remix of this one at the moment. And just like that of Oh!, which instantly got me into mainstream K-pop despite a whole decade of simply loathing it, this one has rendered an otherwise mediocre song into, well, something magical for me.

Music quality aside though, a much more striking parallel with Oh!is its narrative of helplessness, passivity, and sexual desire but both inexperience and inability to act on it, in turn very similar to Like the First Time (처음처럼) by T-ara (티아라) and Breathe (비리드) by Miss A (미쓰에이) as already discussed in previous posts. Which is not to say that all songs by Girls’ Generation or those other groups are like that of course, and in particular I’ve heard that Run Devil Run and Hoot! are quite different. But still, jumping ahead to the conclusion of a project I’m working on at the moment, there does seem to be a definite paucity of song themes for popular Korean girl groups these days.

Alternatively, you could argue that this isn’t really an official song of theirs at all, but rather part of an Asia-wide marketing campaign for Intel’s 2nd Generation Core™ processors, and in which case it should possibly be viewed more as something aimed at a very techie audience, and therefore assumed to be a largely male one. If so, then that might also explain all the obvious double entendres in it, which although not surprising in themselves (Korean advertising and popular culture are full of them), are most definitely aimed at men here.

Either way, but for their regulation hot pants (which have less sexual connotations in Korea than they do in Western countries anyway), actually you might never have realized this from the music video itself, in which all 9 women appear even more cute and innocent than normal. Those of you who would still like to maintain that rather naive image of them then (and there’s an awful lot of you, both in Korea and in Western countries!), by all means feel free to watch the video with DJ Areia’s remix below, followed by the slow – nay, appalling – original under that, as well as all the screenshots provided courtesy of this 26MB(!) zip file from Red and Rosy. As for the lyrics though…well, read them at your peril!

Update: I’ve rewritten some of the lyrics in response to a commenter’s suggestions, many of which require a great deal of extra explanation. Rather than add those explanations to the post though (which would mean completely rewriting it), I’ve indicated the changes with an asterisk, with a number next to that to indicate what part of this comment to refer to for the explanation:

One Two Three Four 짜릿하게 어머나

One Two Three Four 너를 원해 이미 난

One Two Three Four 솔직한 내 맘을 다 들켜버릴래 다 들려줄래

촉촉촉 오 달콤한 내 입술에 Come Come Come 천천히 그래 다가와

Tic Tac Toe 오 아찔하게 네게 푹 빠져버린걸 녹아버린걸

One Two Three Four Oh, how exciting (*1)

One Two Three Four, I already want you

One Two Three Four, I want to tell you all my honest feelings, I want them to be discovered (*2)

Yes, oh, come come come to my sweet, moist lips

Tic Tac Toe, Oh, you make me hot and giddy…Despite myself, I’ve deeply fallen and melted for you (*4,6)

First up in what turns out to be the chorus, in line 1 the “게” in”짜릿하게” make the word look like an adverb, which would give…er….”tinglingly”, but following the advice of commenters on the last translation then I’ve wisely tried to sever the mental link I’ve long had between “-게” forms and adverbs (especially as “짜릿하다” could just as well be “thrilling” say). Meanwhile, “어머나” is an expression of surprise that is almost exclusively used by women, the closest English equivalent I could think of being “Oh my!”, although in practice it’s usually said very quickly (and so just “Oh!” might be better).

Next, in line 3, “들켜버릴래” is a combination of “들키다” (to be found out, discovered, caught etc.), “버리다” (literally to throw away, but when added to another verb gives a sense of relief and/or completeness in finishing the act”, and then “~ㄹ래” (to want to do the verb). And so after all that,  then, “I want to tell you all my honest feelings” seems more than sufficient, but nevertheless the Korean includes the superfluous “들려줄래”, or “I want them to be discovered”. Possibly it just makes the words flow better, and indeed there does seem to be a lot of nonsense words in the song as a whole for that reason.

Finally, line 5 – “Tic Tac Toe 오 아찔하게 네게 푹 빠져버린걸 녹아버린걸” – is literally “Tic Tac Toe – oh – dizzily – to you – fall + 버리다 + thing – melt + 버리다 + thing”. As you can see, I thought “dizzily” was fine in this case (although probably “I’m dizzy” is okay), but really don’t understand why the fall and melt parts were in the “~ㄴ걸” (thing) form.

Update: The “~ㄴ걸” form isn’t as simple as I first thought. As discussed in #4 and #6 of that later comment I refer to, this explanation from Korean Grammar for International Learners (KGIL) is required (pages 224-225):

처음 느낀 이 감정 My Deep Love Core

점점 뜨거워지는 얼굴 숨이 막히는 순간 어쩌지

떨리고 있어

Boy boy boy boy bo bo bo boy boy boy boy

고민고민 해봐도 모르겠어

상상만으론 정말로 하나도 오 how to do my first kiss

Just wait a minute?

Boy boy boy boy bo bo bo boy boy boy boy

망설이지 말고 my love get into my core

This is the first time I’ve had this feeling My Deep Love Core

My face is getting hotter and hotter, and at this moment I can’t breathe. What should I do? (*3, 5)

I’m trembling

Boy boy boy boy bo bo bo boy boy boy boy

I don’t know what to do no matter how much I agonize (*see below)

No matter how I think through it over again and again, I’m just not sure. I truly have no idea, from just imagining [it], how to do my first kiss (*7)

Just wait a minute?

Boy boy boy boy bo bo bo boy boy boy boy

Don’t hesitate my love, get into my core

An awkward verse.

My first problem was with “어쩌지” in line 2, which I mistook for “어쩐지”. That means “so that’s why!”, which made no sense here. Once I realized my mistake though, “어쩌지” wasn’t in my dictionary, and so I turned to my long suffering wife, who said it means “what am I going to do?”.

Next was “고민고민 해봐도 모르겠어” in line 5, which, although I’m sure my translation of “Even though I worry and worry about this, I just can’t solve it” is fine, I was stuck on it for a while because it doesn’t seem to make much sense in the context of the song (learners, note there’s a missing “아무리” at the beginning).

*(Update: with thanks to commenter dogdyedblack, probably “I don’t know what to do no matter how much I agonize” is better).

Both were a doddle though, compared to line 6, “상상만으론 정말로 하나도 오 how to do my first kiss”, literally “imagination – only – through – as for – really – through – one more again – oh”. But my wife said that there should be a “모르겠다” after “하나도”, and that together “하다도 모르겠다” means “I really don’t know”, and with that knowledge and the context then we cobbled “I can’t really do it only in my imagination, I have to do for real, oh how to do my first kiss”. I admit that that might not be the final word though!

Finally, the English “just a minute” in line 7 seems very strange next to the “don’t hesitate” in line 9, but that is definitely what both say. Perhaps the English in line 7 is just something essentially random by the song writers, which happens all the time in K-pop, but then much of the English in the rest of the song suggests otherwise. Get into her core indeed…

Ahem. Anyway, next is the chorus again:

One Two Three Four 짜릿하게 어머나

One Two Three Four 너를 원해 이미 난

One Two Three Four 솔직한 내 맘을 다 들켜버릴래 다 들려줄래

촉촉촉 오 달콤한 내 입술에 Come Come Come 천천히 그래 다가와

Tic Tac Toe 오 아찔하게 네게 푹 빠져버린걸 녹아버린걸

One Two Three Four Oh, how exciting

One Two Three Four, I already want you

One Two Three Four, I want to tell you all my honest feelings, I want them to be discovered

Yes, oh, come come come to my sweet, moist lips

Tic Tac Toe, Oh, you make me hot and giddy…Despite myself, I’ve deeply fallen and melted for you

내 맘 속 visual 너무 완벽해

네 가지 고민 언제 어디서 무엇을 어떻게만 빼고 헤매고 있어

Core Core Core Core Co Co Co Core Core Core Core

우물쭈물 하단 놓칠지 몰라

망설임 the end 여길 봐 두근두근 pop pop 들리지 어때

Core of my love

Core Core Core Core Co Co Co Core Core Core Core

지금이야 바로 start! jump into love core

[When I imagine the scene of our first kiss in my mind, with images pulled from the movies, comics and TV programs I have watched ever since I was little] the visual images in my mind are so perfect (*9)

But for 4 kinds of things not to worry about – when, where, what and how – I’m puzzled

Core Core Core Core Co Co Co Core Core Core Core

If you keep hesitating, you might miss [lose] me

Hesitation, the end, look [listen] here: how is the throb throb pop pop sound [of my heart]?

Core of my love

Core Core Core Core Co Co Co Core Core Core Core

Yes, of course, start right now, jump into love core

The final verse already, unfortunately much of it is completely non-nonsensical. Starting with line 1: “내 맘 속 visual 너무 완벽해” which gives “Inside my heart the visuals are perfect”, which means…well, God knows, but probably alludes to the functions of the chip more than it continues the romantic narrative of the song. But anyway, note that “맘”, short for “마음”, really means something between heart and mind (a phrase difficult to sing well), and in my experience “너무” means “very” just as often as the dictionary definition of “too [much]”.

Next, my wife said that “가지” in line 2 is just another form of the counter word “게”, or “thing”, but I beg to differ: my dictionary gives “a kind, a sort; a variety”. But which is not to say that line 2 – “But for 4 kinds of things to worry about – when, where, what and how – I’m puzzled” – actually makes any sense of course.

After that, line 4 was really tough. But then my wife told me that “하단”, was short for “하다가는”, which fortunately was in KGIL. Which I’ll let you read for yourself (p.280):

As for the rest of line 4, naturally I’m assuming that it’s the object of the female narrator’s affections that shouldn’t hesitate rather than vice-versa, as clearly she doesn’t want to make the first move despite what she repeatedly says she wants him to do to her core. The same goes for line 5, although note that she does say “look here” (“여길 봐”) when “listen to this” would be better, with the “this” surely being her heart.

Finally, the “이야” in line 8 was interesting, which, seeing as I still have my KGIL next to me as I type this and have already cleared the junk off my scanner, I may as well give you page 181 of too (but sorry that I can never seem to get the book straight!):

Note that KGIL gives 4 more meanings for  “이야” depending on what comes immediately after it by the way, but if you want to know those too, then buy the damn book yourself already fortunately none of those apply here.

Finally, there’s the chorus again, the first part of which is repeated twice, and with the addition of 3 extra English lines:

One Two Three Four 짜릿하게 어머나

One Two Three Four 너를 원해 이미 난

One Two Three Four 솔직한 내 맘을 다 들켜버릴래 다 들려줄래

Take you higher / oh my love ooh yeah

visual dreams / 느껴봐 beating of my heart

One Two Three Four 짜릿하게 어머나

One Two Three Four 너를 원해 이미 난

One Two Three Four 솔직한 내 맘을 다 들켜버릴래 다 들려줄래

촉촉촉 오 달콤한 내 입술에

Come Come Come 천천히 그래 다가와

Tic Tac Toe 오 아찔하게 네게 푹 빠져버린걸 녹아버린걸

ooh yeah visualize my love oh yeah

One Two Three Four Oh, how exciting

One Two Three Four, I already want you

One Two Three Four, I want to tell you all my honest feelings, I want them to be discovered

Take you higher / oh my love ooh yeah

visual dreams / try feeling the beating of my heart

One Two Three Four Oh, how exciting

One Two Three Four, I already want you

One Two Three Four, I want to tell you all my honest feelings, I want them to be discovered

Yes, oh, come come come to my sweet, moist lips

Tic Tac Toe, Oh, you make me hot and giddy…Despite myself, I’ve deeply fallen and melted for you

ooh yeah visualize my love oh yeah

Sigh: if only all song translations could be so quick and easy! Still, I have many more to do this month nevertheless, and so expect at least 2 or 3 a week in addition to other posts, starting with So Hot by the Wonder Girrls (원더걸스) on Wednesday or Thursday Sunday, followed by Can’t Nobody by 2NE1 (투애니원) on Friday next week.

Meanwhile, apologies to Girls’ Generation fans, but Oh! will have to wait until next week I’m afraid, as one Girls’ Generation song a week is probably more than enough for many people!

Korean Retro!

(Source)

Despite everything I’ve said about Girls’ Generation (소녀시대) over the years, I’m really liking this retro look for their new mini-album Hoot (훗), to be released later this week. Heck, along with Eccentric Yoruba, I’m even liking the title track too, whereas I needed to hear DJ Areia’s trance remix before I could even begin to listen to Oh! (오!).

But I’ve actually liked Korean retro itself for a long time now, and the posters reminded me of a brief article on that from the November 2008 edition of Design Journal (디자인저널), which I thought readers may also be interested in. And in the magazine itself of course, which — although its English could be much improved as you’ll soon see — is very rare in that it has both English and Korean versions of each article, helping to open up an entire creative side of Korean life that would normally be relatively inaccessible to expats.

Alas, unfortunately I’ve just learned that there were no more issues published after July 2009. But I do hope you still enjoy the article though, and if so then you may also like the So Much Pileup blog that I subscribe to, which has examples of retro graphic design from around the world. Personally, I was hooked on it as soon as I read the following about the logotype on the right:

The way that A and the S form together as one. It’s like they’re having an incredibly intimate moment that I happened to stumble upon. Where as the r-a ligature seems a little forced. That lowercase a will undoubtedly wake up feeling used and perhaps will regret the whole experience.

And in that same spirit of turning what was once considered dull and ordinary into something fun and sexy, let me leave you with all the great examples of Korean retro mentioned below:

Any other aficionados out there?^^

Update: More retro-themed pictures of Girls’ Generation are available here:

Update 2, July 2012: Here’s a post on the “fashion police” of the 1970s who would check women’s skirt lengths, which emerged in the discussion in the comments.

Korea Doesn’t Get Much Cuter Than This…

A girl-group aimed at my demographic, set in the style of the video games I used to play as a teenager? Seriously, what more could one ask for in a music video?^^

Thanks to Ashley at SeoulBeats for the laugh!

Girls’ Generation’s Secrets Revealed?

Girls' Generation Yoona Photoshop

That advertisements featuring Girl’s Generation (소녀시대) are invariably photoshopped isn’t news of course, and these ones are hardly the most egregious examples either. But in a rare positive step, the before and after pictures for their latest advertisements for the LG Black Label Series Chocolate phone are currently featured on the front page of the “Enter Holic” or “Entertainmentholic” (엔터홀릭) section of the Korean MSN homepage, and so will have been the first thing many people saw when they opened Windows Live Messenger this morning.

Not to imply that most Koreans aren’t aware of photoshopping in advertisements of course. But still, anything that fosters further discussion of that is to be encouraged.

Girls' Generation Chocolate Phone Yoona( Source: goagsu4 )

Or at least, that was my first impression. Looking more closely though, in fact it was the before images that were used in the advertisements.  Unfortunately there is no information about who created the photoshopped images, or why, but with the statement “Wow! Very subtle changes make a big difference” (아주 미묘한 차이가 큰 차이를 만드는구놔), he or she implies that the altered images are to be preferred.

Sigh.

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Korean Sociological Image #19: Gee, Gee, Gee…Girls’ Generations’ Latest Ad Speaks Volumes About Korean Gender Roles

Girls' Generation Shinhan Card Commercial(Source: unknown)

Forget the TED Talks. Instead, use this 16-second commercial for a great introduction to Korean gender roles.

By Girls’ Generation’s for Shinhan Card, it’s completely innocuous at first viewing. Take a second and third look though, and it’s extraordinary in how much it reveals:

First, because of the obvious: those legs. Then, because my students barely seemed to notice them when I asked what they thought of the commercial, let alone considered objectifying only the women to be problematic. Probably, because they’re already used to ubiquitous female “assistants” (doumi;도우미) and scantily-clad “narrator models” (나레이터 머델) being used to sell and promote all manner of products, services, and causes. And girl-groups, effectively, are performing very much the same roles.

Also, that indifference was probably because Girls’ Generation are notorious for wearing hot pants or jeans that are several sizes too small. Indeed, entertainment companies deliberately emphasize girl-group members’ legs to make K-pop more sexually-appealing in conservative East Asian markets, where people generally share Koreans’ taboos about breast exposure. So, it may seem disingenuous to single out this commercial in that regard.

(Source: ZZiixx)

But I’m not—I’m singling it out for what the differences between the men and the women reveal. Because my students would surely have noticed more if the men had also been wearing short-shorts, with the well-muscled legs to pull them off. Or, with more male-specific revealing costumes that showed off their abs.

With just women doing silly dances in revealing clothes though? That’s so normal in advertising that most people don’t think twice about it. See what I mean by looking at these images from A Web Essay on the Male Gaze, Fashion Advertising, and the Pose below. What are your gut reactions to them?

Men Childlike Expressions Ritualization of Subordinationwomen childlike expressions Ritualization of Subordination(“Most viewers find the images of the men odd or laughable. But the images of the women seem charming and attractive…Why should it seem funny to see a picture of adult men striking a pose when the same pose seems normal or charming to us in pictures of adult women?”)

Obviously, this speaks to gender role portrayals in the media worldwide, not just that of Korea. But, with the latter’s tendency towards cuteness and aegyo, it does seem quite extreme here. And, as if to rub that in, in this particular commercial the text and the song also emphasize that the women are very much just for decoration:

First, the text in blue box: “끝없이 ‘고객만족’을 생각하는 카드”.

“The card that unceasingly thinks about customer satisfaction”.

Then what the men are saying while that is visible: “생각, 생각, 생각, 생각”.

“Think, think, think, think.”

Next Girls’ Generation, dancing with their shoulders while sitting on a bench: “어떡하면, 원하는걸, 다 이뤄줄수 있으까?”.

“How shall [the card] achieve everything [the customer] wishes?”.

Girls' Generation Shinhan Card Screenshot(Source, above and below: Paranzui)

Then the men again, while the girls are do their leggy dance, then stand in a line with the men and supposedly sing along with them (but we only hear the men’s voices): “손잡고 힘을 모아 다 함께 생각 생각”.

“Let’s cooperate [with the customer] and collect our energy together and think about all that”.

Finally in the voiceover, with the men sitting in contemplative poses and the girls standing behind them clapping : “카드의 길을 생각하다”.

“What is a card’s purpose? Let’s think about that”.

With this text in the blue box above them: “끝없는 제휴혜택으로 더 큰 고객만족을”.Shinhan Bank Shinhan Credit Card Girl's Generation

“The card that can be used anywhere in order to increase customer satisfaction!”.

Easy to miss on a single viewing, it emerges that it is only the men that do the thinking in this commercial, and by default, for the bank also. Yes, really: even when they all say “How shall [the card] achieve everything [the customer] wishes?,” if you look closely at roughly 0:08 into the commercial when the girls actually finish saying that (see far above), they clearly turn to the men for an answer. Rest assured then, that if you invest your money in this bank, that it will be in the hands of smart people that will take your concerns very seriously. Those people just won’t be women, that’s all.

Exaggeration? Hardly. Consider the facts: according to a recent report in the Korea Times, there are no female CEOs in the entire financial industry here; there are only 2 women out of a total of 220 team managers in the Financial Supervisory Service (and no executives); there are no women with either position in the Bank of Korea. Moreover, one anonymous (male) government official in finance argued that this is somehow justified by “the country’s financial bureaucrats [having] been overwhelmed with too “serious tasks” to pay attention to gender equality” (as in ever since the early 1960’s, not just the recent crisis), and it’s telling that even Rep. Lee Sung-nam (이성남) of the Democratic Party, a woman and former worker at the FSS, feels that women’s weak point in finance is their “competitive edge.”

gender-advertisements-erving-goffmanGranted, given that Korea has one of the lowest women’s workforce participation rates in the OECD, and that Korea has a surprisingly low “Gender Empowerment Measure” relative to its level of development, which is based on “factors such as the number of female legislators, the percentage of women in senior official and managerial positions, the percentage of women in professional and technical positions, and the income differential between men and women,” then it might seem unfair to single out the financial sector for criticism in this regard. But then if I’d wanted to highlight the lack of women there in particular, then I couldn’t have selected a better commercial to illustrate why that might be so.

Nor for explaining “function ranking” either, a common sexist motif in advertisements. A quick summary (source):

Activities can also be expressive and symbolic—who is shown doing what in the image? For example which gender is most likely to shown caring for children? Very commonly when persons in the image have functions, these functions are ranked, with the male carrying out the senior functions, the female the junior functions. Men act, and women help men act. Males are more likely to be shown in the executive or leadership role, with females in the supportive, assistant, or decorative accessory role.

That and other motifs were first outlined by the late sociologist Erving Goffman in his 1979 work Gender Advertisements, and which is still very much the framework by which sociologists study how gender roles are perpetuated in advertising. Let me leave you with one more observation from it (see the sidebar for many more examinations of Korean advertisements using his framework), then another example from Korean banking:

In our society where a man and a woman collaborate face to face in an undertaking, the man—it would seem—is likely to perform the executive role, providing only that one can be fashioned. This arrangement seems widely represented in advertisements, in part, no doubt, to facilitate interpretability at a glance (p.32).

As indeed is the case with this advertisement for a bank I came across last November:

erving-goffman-relative-sizeTechnically, the man is a customer, the women clerks (the text reads: “The customer’s best life partner, with Busan bank”).  It is very telling though, how difficult it is to imagine an ad with the sexes reversed—let alone find an example in real life.

Thoughts?

Update: For comparison, see here for a Shinhan Card commercial with just the men.

(For all posts in the “Korean Sociological Images” series, see here)

Activities can also be expressive and symbolic – who is shown doing what in the image? For example which gender is most likely to shown caring for children? Very commonly when persons in the image have functions, these functions are ranked, with the male carrying out the senior functions, the female the junior functions. Men act, and women help men act. Males are more likely to be shown in the executive or leadership role, with females in the supportive, assistant, or decorative accessory role.

What do Koreans REALLY Think of Bloodtypes?

big bang 2%보족할때 광고 blood type advertisement

With those top two panels reminding me of the futuristic Blade Runner, it’s ironic that the ad is actually based on the decidedly archaic belief that one’s bloodtype determines one’s personality. What’s more, it’s a surprisingly deeply-held one too, with some Korean women even rejecting all B-type men as potential marriage partners because of it, as I discussed when I wrote about a similar marketing campaign for kiwifruit back in May. In short, it’s not quite the same as having a good laugh at your daily horoscope, and can’t be so easily dismissed.

My Boyfriend is Type-b Tandy Advertisement

A strange {and slightly disturbing} advertisement for Tandy found on this site about the 2005 movie My Boyfriend is Type B {B형 남자친구}. See later in the post for one more, and here for a review of the movie.

Lest one is tempted to jump to conclusions about Koreans’ critical-thinking skills though, then consider this blog post on the subject that was featured on the front page of Yahoo! Korea about a month later, which I’ve translated below. It is from the 12th most popular Korean blog according to its own blog ranking system—by way of comparison, this one is currently ranked 87,378 out of 4,644,184—so it would have been read by a lot of people:

우리나라에서만 볼 수 있는 ‘혈액형’ 광고의 불편함…

It’s discomforting  how Korea is the only country in the world with advertisements about bloodtypes…

A형, B형, AB형, O형이 한자리에 앉아서 식사를 하고 있었다. 갑자기 AB형이 밥을 먹다 말고 벌떡 일어나 뛰쳐나가자 O형이 AB형을 뒤쫓아간다.

남겨진 A형이 B형에게 조심스레 묻는다: “쟤 혹시 나한테 화난거야?”

온라인과 오프라인을 막론하고 이젠 귀에 딱지가 앉을 정도로 듣게되는 혈액형별 성격에 관한 유머다.

일본에서 들어와 국내에 뿌리내린 혈액형별 성격 분석은 독일의 우성학에서 출발해 일본에서도 1970년대에 확고히 자리잡았다고 하는데 이런 성격 분석이 국내에 유입되어 뿌리내리며 우리나라를 전세계에서 몇 안되는 혈액형 신봉 국가를 만들어 버렸다. 사람 둘 셋만 모이면 혈액형에 대한 이야기가 쏟아져 나오는 그런 나라…;;

그렇게 보면 다음 CF들은 어쩌면 우리나라에서만 만날 수 있는 광고의 유형은 아닐까?

A, B, O & AB Bloodtypes Eating TogetherFour people, one with bloodtype A, one with B, one with AB, and one with O were sitting down having a meal together. Suddenly, “AB” stopped eating and got up and ran outside, and “O” decided to follow (him).

“A” and “B” remained, and A nervously asked B: “Is (he) angry with me?”

(James: No, I don’t get it either. But, for the remainder of the cartoon version on the right, see here, and here for many more like it.)

Needless to say, online and offline, there is so much humor about blood types that people are very tired of it.

Blood type and personality analysis originally derives from German eugenics, but it became firmly rooted in Japan in the 1970s, and from there in Korean culture, making Korea one of just a handful of countries that haven’t thrown such beliefs away. Indeed, get two or three Koreans together, and invariably they’ll end up chattering about blood types…

In this sense, you can only really see commercials like the following in Korea, right?

혈액형으로 먹는다제스프리 골드키위/Eat according to your blood type…Zespri Golden Kiwi

키위를 먹는 방식을 혈액형 성격 분석에 맞춰 유머러스하게 풀어놓은 제스프리의 CF다.

Here’s a humorous commercial by Zespri saying different blood types eat Kiwis in different styles (James: see my earlier post for the other 3 in the series):

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혈액형으로 마신다… 2% 부족할 때/Drink according to your blood type…2% “Near Water

제스프리가 코믹이란 콘셉트를 내세웠다면 이쪽은 혈액형과 치환되는 단어와 사랑을 엮고 빅뱅을 얹어 광고를 내놨는데 실제 빅뱅 멤버의 혈액형에 맞춘 광고란다.

Whereas the Zespri commercials had a comic concept, the following ones with the band Big Bang (빅뱅) has each member falling in love and romancing women according to their bloodtypes (James: this video combines all 4 commercials in the series):

재학습되는 혈액형 성격 분석…/These commercials help perpetuate public belief in the bloodtype and personality theory

평소 귀가 얇은 편이라 혈액형별 성격 분석에 종종 혹하는 편이지만 ABO식 혈액형의 고작 4가지 패턴으로 60억 세계인의 성격을 모두 분류할 수 있다고는 생각치 않는다. 또 이론적 뿌리도 부실하고 지나친 일반화와 선입견 듬뿍 담긴 규정으로 혈액형 별로 사람을 가늠해 버리는 것 자체가 혈액형에 기준한 성격 분석이 갖는 문제점이라고 생각하는 편이다.

Normally I’m a little gullible, so I’m often convinced of the validity of the bloodtype and personality theory, but still, I can’t believe that all 6 billion people in the world can be compartmentalized and categorized into just four types. And it is a problem that people are influenced by and follow the rules of their prescribed personality when the theory is based on insufficient evidence,  is too generalistic, and rife with prejudices and preconceptions.

My Boyfriend is Type-b Korean Tandy Advertisement

그런 이유로 이번에 소개한 혈액형에 관한 CF들은 왠지 불편했는데…감각적인 영상과 유머 코드로 적당히 버무려 광고를 바라보는 이들에게 쉽게 퍼지고 기억되는 이런 영상들이 결국 사람들 사이에 회자되는 혈액형별 성격 분석을 재학습시키고 있는게 아닐까란 생각에 이르렀기 때문이다.

For this reason, seeing these commercials made me feel a little uncomfortable…when sensible (if misguided) notions of bloodtype and personality are mixed with humorous ones in a sort-of cultural code and then utilized in commercials like these, they help to keep the theory on everyone’s minds and thereby perpetuate artificial divisions.

물론 사회에서 익숙한 코드를 반영해 상품을 홍보하는 건 일반적인 광고의 특성이니 어쩔 수 없는 부분이 있었겠지만 그래도 “이 혈액형은 이렇고 저 혈액형은 저래. 그러니 너는 이렇지?”라는 식으로 세상 모두를 4가지 성격군으로 분류할 수 있다고 생각하는 것 자체가 문제 아닐까?

훗~ 평범한 O형의 한마디였다. 응?

Of course commercials will always reflect a society’s cultural codes, but nevertheless isn’t it a problem when we say “this bloodtype behaves like this, that one like that, so that’s why you do what you do, yes?”, and that we want to compartmentalize the whole world into just four types?

I’m O by the way. Is that a typical thing for an O type to say? (Finish)

Get's the blood flowing...

Not exactly the piercing critique I anticipated when I began translating, but that wasn’t my point really, which was more to provide a healthy reminder that just like back home there is a healthy diversity of opinions in Korea on just about every subject, but which it’s very easy to overlook if you only rely on English-language sources. Indeed, I’ve just found yet another, longer news report on the same two advertising campaigns, which I’m happy to also translate if anyone’s further interested (it’ll be good revision).

In the meantime, while finding some images for this post I couldn’t help but notice that, once again, apparently the powers that be felt that only young women in tight t-shirts and/or miniskirts could persuade persuade Koreans to perform their civic duty on “World Blood Donor Day” this year (left) and last (right). Come to think it though, that particular advertising convention doesn’t exactly detract from the aim of getting people’s blood flowing…

Sorry, I couldn’t resist it. And in fairness, this year’s ads did feature boy-band Super Junior (슈퍼주니어) also. For some big pictures of them promoting donating blood, albeit together with Girls’ Generation (소녀시대), see here.

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