Off The Record: Lee Hyolee — Catch it while you can!

Lee Hyori Off The Record(Sources: left, right)

Reading recent discussions about 2NE1tv and the BBC’s Idol, I was reminded of Lee Hyori’s endearing Off The Record series from 2008, which I’ve tried and failed to find online for years. So I checked again, and to my amazement and consternation discovered that blogger 쓰리에스의 한류 Story has actually had all 12 episodes up since last May…

Needless to say, all of them were rapidly in my possession, via this Firefox extension. Normally, it doesn’t work for Naver videos, but I lucked out in this case.

For those who’ve never heard of the series though, please note that it’s hardly a critique of the Korean entertainment industry akin to Idol. But, it does provide some insights into the day-to-day practicalities of it, and makes it obvious why Lee Hyori — Korea’s first ethical sex-symbol — was so popular in the 2000s. Also, even in the rare event that you don’t become a fan yourself, it’s still a valuable Korean study tool, providing a rare combination of everyday Korean language and Korean subtitles that isn’t in the form of an inane gameshow or clichéd drama.

What are you waiting for??

Korean Gender Reader, November 24-30

Fei Miss A I Don't Need a Man(Source)

Apologies to Psy’s die-hard fans, but I’ll be retiring the Gangnam Style section this week. After all, even my daughters are tired of it now, preferring to dance 10 times a weekend to Miss A’s I Don’t Need a Man instead…

Don’t blame me — they picked it up from their friends at kindergarten!

Announcements

Holiday Gift Drive for KUMFA kids! (Tales of Wonderlost)

Body Image, Health

“One of the truly rare examples of a female nude which is not performing for the male gaze, despite being literally directly under it.” (I’m No Picasso; also see here)

“For some reason, some cultures allow family members to comment on one another’s weight as a personal greeting.” (Thick Dumpling Skin)

Who thought skinny would be a problem? (Alleyways)

North Korean Girls: South Korean Netizens Debate Their Beauty (KoreaBANG)

Doctors stand off over English names (The Korea Times)

Some foreigners regret their plastic surgery in Korea (Korea Joongang Daily)

Viewpoint: Do models need more rights? (BBC)

Censorship, Media

Netizens Report: Suzy at risk of losing “Nation’s First Love” title (Omona They Didn’t)

The Global Times’ faux concern about the ‘sex tape mistress’ is heartbreaking (Shanghaiist)

Crime

Sex Offender Detector (The Marmot’s Hole)

Watching the detectives: Korean prosecutors under scrutiny for bribery, including coerced sex (Korea Law Today)

“At a deeper level, what caused the 30-year-old guy to be attracted to a woman who was 13 years older than him?” (The Korea Times)

Soon, you will no longer be able to rape your wife (The Korea Times)

Dating, Relationships, Marriage

Here Comes the (Idol) Bride: Sunye, Marriage, and Fan Reactions (Seoulbeats)

Can We Get Married? (우리가 결혼할수 있을까?): New drama shows a realistic view of Korean marriage (10 Magazine)

Dating in K-pop? No, I (Am Brainwashed To) Believe Oppa Is Mine (Seoulbeats)

Lee Tae-sung reveals he has wife, son (Korea Joongang Daily)

The Romantic and Idol, We Can’t Get Enough Dating (Seoulbeats)

— Lee Seong-gyun Finds Out All about His Wife (Seoulbeats)

Are More Unconventional Chinese Men More Likely to Date/Marry Western Women? (Speaking of China)

To Pursue or Not Be Pursued, Love My Boyfriend But Don’t Want Sex, Pursuing Pleasure, and More (Radical Ramblings)

Education, Parenting, Demographics

Demographic Shifts Redefine What It Means to Be Korean (The New York Times)

NYT on ‘multiculturalism’ in Korea, and CERD update (Gusts of Popular Feeling)

Vietnamese woman in South Korea commits suicide with two children (Vietnam.net)

Korean Elementary School Teacher Slaps Misbehaving Student (KoreaBANG)

Linguistic imperialism and native speakers in Korea (Gusts of Popular Feeling)

The ’30 million won stereo’ (Gusts of Popular Feeling)

In China, A Macabre Trade In Ghost Brides (Forbes)

China’s lack of concern for the safety of children (Seeing Red in China)

Economics, Politics, Workplaces, Ladygate

As South Korea Tackles Drinking Culture, Samsung Sets Guidelines (Korea Realtime)

S. Korea’s income gap by gender widest among OECD nations (Yonhap)

HIV-positive Koreans worry about being shut out of employment (The Hankyoreh)

Working women in Seoul increase 38.4% in 11 years (The Korea Herald)

Adult adoption in Japan: Family firms adopt an unusual approach to remain competitive (The Economist)

Gangnam Style

Exclusive: PSY`s Once-Passionate Protesting Past (Busan Haps)

Why PSY and Gangnam Style Demolish Cultural and Socioeconomic Barriers (TriplePundit)

How Korean culture stormed the world (South China Morning Post)

Washington, DC is Dreaming of a PSY Christmas (MTVK)

PSY to Perform in Front of U.S. President Barack Obama (Soompi)

Watch: What Comes Next for Korea After ‘Gangnam Style’? (Scene Asia)

Psy’s ‘Mission Impossible’: Getting Tom Cruise to dance ‘Gangnam Style’ (The Telegraph)

Should Psy Be TIME’s Person of the Year 2012? (TIME)

Psy and the Faceless Asian (Seoulbeats)

LGBT, Sexuality

—  Korean sex toys a hit, but can’t top Japan’s Tenga (The Tokyo Reporter)

Queer Links from the Week (The Kimchi Queen)

Reading List: Narrative Case Study: Unheard Life Story of a Senior Gay Korean Man (The Kimchi Queen)

Miscellaneous

Futurology in Korean Studies: hell in a handcart or hallyu heaven? LKL reports from the 2012 BAKS conference (London Korean Links)

Prospects for Korean as an International Language (Korea: Circles and Squares; see also New Term: “White Endorsement Monkey” and “White Defamation Monkey”)

AKF in Korea #5: Drinking with professors 101 (Angry K-pop Fan)

Pop Culture

Exploring Gender Perspectives Through Response Songs (Seoulbeats)

Japanese Actors Hope to Boost Career in Korean Soaps (The Chosun Ilbo)

Is the bubble beginning to burst? (London Korean Times)

Why it was so easy for Korea to overtake Japan in the pop culture wars (Quartz)

Brothers and Sisters: Sibling Pairs as a Marker of Success (Seoulbeats)

Book review: So Far from the Bamboo Grove (London Korean Links)

‘Red Dawn’ Spurs Anti-Asian Tweets (Scene Asia)

Confessions of a Fangirl: Let’s Talk About Smut (Seoulbeats)

Unusual Finds: Masan’s Half Wing Book Cafe (Chincha)

Dispute that Shocked K-Pop is Over (Korea Realtime)

JYJ – SM News Round Up (Omona They Didn’t)

JYJ’s agency says they “do not expect much difference” and that they made “a concession” (Asian Junkie)

— Korea’s Idol Prep Schools and the Parents Who Fund Them (Seoulbeats)

Social Problems

South Korea to stem digital addiction from age 3 (Stuff.co.nz)

(Links are not necessarily endorsements)

Lee Hyori: Korean Pin-up Grrrl #1?

Lee Hyori Pin-up Grrrl(Source)

Out of all this week’s stories, up tomorrow in the Korean Gender Reader, probably one of the most important — but also the most under-appreciated — is the news that Lee Hyori (이효리) will no longer be doing any commercials for products that conflict with her animal rights, environmental, and/or vegetarian beliefs.

This excludes her from working with so many companies, that her agency had to clarify that she hadn’t given up modelling or endorsements altogether.

Certainly, she’s already well known — and liked — for being so outspoken and sassy, which is very rare for female celebrities here. But this is still a significant step, because it’s difficult to think of any other Korean celebrity explicitly rejecting the endorsement culture upon which their agencies so heavily depend. Let alone someone who was once the country’s biggest sex-symbol.

Lee Hyori and Dog(Source)

Moreover, while she’s open to charges of hypocrisy, as it’s undoubtedly much easier to take an ethical stance on endorsements after years of making millions from them, she did at least acknowledge this contradiction in a recent interview, and at only 33 could have continued to do them for decades. Also, with “We can’t help but be subjected to the power of the companies when we sign a contract. Hara, please don’t forget my words,” her tweet of advice to Goo Ha-ra (구하라), one of her replacements as a soju model, she indirectly criticized companies’ excessive power over their endorsers — recall Ivy (아이비) being sued for an completely non-existent sex-tape for instance, or Choi Jin-sil (최진실) being sued for going public about being a victim of domestic abuse, and then being sued again after she committed suicide — and/or entertainment agencies’ willingness to enter into such arrangements regardless. And, albeit perhaps unfairly, has put the onus on much younger celebrities to be more discerning with their own choices (or, rather, to challenge their agencies’ choices).

Can anybody think of any other Korean celebrities that have made similar ethical stands and/or critiques of the media and entertainment industries? I admit I don’t have much time to follow Korean celebrity news, and would be happy to learn that Lee Hyori isn’t as exceptional as I thought!

(Update: Also, if anybody come across a Korean source that places Lee Hyori’s decision in that above context, that would also be appreciated. Unfortunately, apparently they’re just as rare!)

Related Posts:

Korean Sociological Image #65: First Commercial to Positively Feature a Korean Woman with a Non-Korean Man? (2006)

(Source: Paranzui)

Turn on a Korean TV, and you won’t be waiting long before you see a commercial with a Korean man in a relationship with a non-Korean woman. But for a long time, I was only aware of one ever produced with the opposite pairing, which I discussed back when it came out in July last year.

Since then, there has also been at least one music video produced that positively features a Korean woman with non-Korean men (not just the one man in this case!), which you read more about at Mixtapes and Liner Notes and Fanboy vs Fangirl here, here, and here. But again, there’s many many more with the opposite pairing (see here, here, and here for examples). And as far as I know, no more commercials with Korean women hitting on non-Korean men.

It turns out though, that Lee Hyori (이효리) did so back in 2006 in a commercial for Anycall, a mobile phone brand. I must have seen it a hundred times on TV that year, but only ever the fifteen second version, in which the ethnicity of the lucky gentleman at the end was unclear. I would automatically have assumed he was Korean then, but he’s actually Caucasian (with a hint of Latino?), as you can see at 0:27 in the thirty second version above.

As always, I’d be happy to be proven wrong — again(!) — with any further examples of similar pairings. But I doubt I’ll ever receive enough to challenge this clear discrepancy in the Korean media’s representations of different genders and races, which is why I raise it here.

For any readers further interested in why that discrepancy exists, please read last year’s post for more background and many more links.

Update 1) As soon as I’d packed away my netbook and was walking home, I remembered that there was indeed one more example from last year, a promotional video for the 2010 G-20 Seoul Summit. It features a Korean woman and Caucasian man having a traditional Korean wedding, just like I had (the kiss is just for show though—traditional Korean weddings are really quite sombre affairs!):

Update 2) With thanks to Dan for passing it on, here’s a recent commercial for a smartphone, apparently with screen quality so good you’ll be able to see your foreign boyfriend’s bit on the side reflected in his sunglasses:

Until I saw that, I was wondering if the “positively” in the title was a little redundant. But now it seems more apt than ever!

(For more posts in the Korean Sociological Images series, see here)

(K)Pop Art는?

(Sources: left, right)

What comes to mind when you hear that Korean(?) cosmetic brand Clio (클리오) hosts a biennial Clio Cosmetic Art exhibition? That it sounds more like a brand tie-in than a genuine attempt to encourage original and thought-provoking art? The purist in me couldn’t agree more, especially when you consider that some works in the 4th (2009) and 5th (2011) exhibitions were not just inspired by, but use the very same photos as Clio’s own advertisements, prominently featuring brand endorsers Kim Ha Neul (김하늘) and Lee Hyori (이효리) respectively.

When its at the behest of the advertiser itself, arguably the ensuing pop-art loses its edginess.

But art doesn’t have to be radical to look good. What’s more, when you combine the images with the women themselves, then the juxtapositions are like an intellectual wet dream, the afterglow of which has had me buzzing for the last week.

For which are the more real? The flesh-and-blood women in the Insa Art Center (인사아트센터) in Seoul’s Insa-dong district? Or Ha Neul and Hyori the mass-produced visual commodities, with which we are much more familiar?

Groovy

(Sources: left, right)

But although the pictures did indeed persuade me to take down my handful of books on hyperreality and postmodernism, yet again I rejected them as unnecessarily abstruse, even for a geek like me. Also, Lee Hyori in particular (I’m less familiar with Ha Neul) is actually so down-to-earth and accessible that arguments that she’s merely a media creation can’t be sustained, one positive of Korean celebrity culture that I’ll be discussing in a lengthy post next week soon.

Until then, let me just pass on the art itself here, hoping to inspire more aficionados amongst you.

First, see here for a brief English introduction to the 5th exhibition, then the following graphic about it for a quick snapshot. If there’s anything on it you particularly like, click on the graphic itself to go to the Clio website, then on the specific artwork on the graphic there to get a quick (Korean) bio of the artist.

To any K-pop fans, see if you guess where you’ve seen Mari Kim’s work before:

(Source)

For many more large and/or high-definition pictures of the art and exhibition hall itself, see here, here, here, or here (beware the automatic music in the last one). My favorite work is easily The Magic (also known as Masic) by Park Dae Cho (박대조) below (the one using the same photo as a Clio advertisement), which you can see a zoomable version of here:

(Source)

Note though, that it’s actually a color-changing transparency in a light box rather than a static image, like most of Park Dae Cho’s works (which you can see more of on his blog):

That video doesn’t really do justice to it though, as it must really have been quite mesmerizing when viewed close-up. For the best equivalent, click on the following image:

(Source)

As for those of you that share my love of juxtapositions, alas, there seems to be a conspiracy of exhibition-goers to avoid taking decent pictures of Lee Hyori standing next to this particular artwork in particular, this one always cutting it in half for example, or this one being so much more interested in the contents of Lee Hyori’s dress that he ruined the contrast. But decent, albeit smaller and/or watermarked versions can be seen here, here, or on Park Dae Cho’s blog itself.

Meanwhile, if you haven’t guessed already, Mari Kim (blog; Facebook; Twitter), not to confused with (the also – quite literally – cool) Miru Kim, is the artist behind 2NE1’s (투애니원) I am the Best (내가 제일 잘 나가) album cover, and the Hate You music video:

(Source)

Finally, unfortunately there was much less interest in the 4th exhibition with Kim Ha Nuel, but Dramabeans does have a good English introduction to it,  and again Clio has a snapshot image, although without links to the artists this time:

(Source)

See here, and here for more pictures of the exhibition, and here and here for more shots of juxtapositions.

What do you think? Please let me know, and I’d very much appreciate it if readers could pass on any more examples of interesting juxtapositions and/or celebrity-related Korean pop-art. I’d be especially interested in anything featuring men, as I’m curious if I’m only interested in the Clio exhibitions because they’re centered around two attractive women. I’m sure that’s not the only reason I like them (what do female readers think of them?), but probably it’s much more important than I’d like to admit!

Update – Sorry for forgetting to mention it in case you wanted to go, but unfortunately the 5th exhibition ended back in May. But see you at the 6th one in 2013! :D

Studying Korean Social Issues Can Be Fun…

(Sources: left, right)

And using manhwa (만화), or Korean cartoons, is a good place to start. Sadly, my favorite “grown-up” comic-book poptoon (팝툰) sold its last edition back in March, but there’s lot’s more where that came from.

One possibility is Department Head Dal-ma (Dalmagwajang; 달마과장), available in the free Focus newspaper. Although it’s often very basic, requiring no Korean ability to get the gist of, you could do much worse than quickly translating it on your morning commute.

Take these two strips for instance, which kept cropping up in Naver searches while I was preparing a recent post on sexual harassment in Korea. First, number 21:

Dal-ma: Gulp.

Man: Miss Kim, what did you have for lunch?

Miss Kim: I simply had ricecake at the park.

Even from just these first panels, already one thing of interest is that the man uses banmal (반말), or informal speech to speak to Miss Kim, and she replies in nopimmal (높임말), formal speech. No big deal there you might say: he’s probably her superior in the company. And as this recent incident on a subway demonstrated, using the appropriate level of speech to others is considered extremely important in Korea, with even many of my university students using nopimmal to friends just a few months older.

But then the same happens in the second cartoon too, even though the man addresses the woman with the semi-formal shi (씨) at the end of her name. And while a brief survey of other Dalmagwajang cartoons does occasionally show men and women each using nopimmal to each other, I didn’t see any cases of a woman speaking to a man in banmal and he answering in nopimmal. Which is not to say that they don’t exist necessarily, but if there are any then I’d wager there’d be very few.

If so, then is that just a reflection of reality? After all, women do tend to have junior and/or non-advancing positions in Korean workplaces, as even in 2011 it considered perfectly normal for them to resign and/or be fired upon marriage or becoming pregnant (only 50% of Korean women work, the lowest rate in the OECD).

(Source: unknown)

But on the other hand, recall that even subtitles for foreign films and programs have this gender-dichotomy grafted onto them too, despite being absent in the original English:

A women’s group has issued a report on the “sexist” dubbing of foreign films and dramas, reports women’s newspaper Ilda The group took a look at some 27 English-language dramas shown on terrestrial broadcasting in September and October.  It found that most of them employed sexist sexist practices when dubbed into Korean.  Namely, male characters spoke in banmal, or “low language,” while female characters used jondaenmal, or “high/respectful” language, even though the original English dialogue made no such distinctions.

This tendency was most often seen in dialogue between husbands and wives or lovers.  Besides dramas, foreign films showed the same tendency, with 12 of 15 films monitored by the group employing this dubbing practice.

Clearly then, for TV at least there is a compulsion to conform to it. Whether that’s just the industry convention, fear of negative public reaction, and/or the personal choices of the translators themselves, then that remains to be seen, but I’d be surprised if that didn’t apply to some extent to other forms of media. And either way, you’re left with a pretty pervasive socialization agent, and one easy to overlook for English speakers, and/or even easier to get used to for native Korean speakers.

Man: Ah, why didn’t you invite me? I pound ricecakes really well…No, well, I eat them well…

Miss Kim: (Laughing) What do you mean?

Dal-ma: Even acting like that, he won’t get accused of sexual harassment?

Next, despite its curious reputation for conservatism overseas, in fact the Korean media is simply full of sexual innuendo, and this cartoon read by millions every weekday is surely a classic case in point: “떡을 치다” is literally “pounding rice cake”, but is really slang for having sex. Which is why a year ago, a cartoonist was sued for sexual harassment by Girls’ Generation’s (소녀시대) management company SM Entertainment for this otherwise innocuous-looking cartoon:

(Source)

This might sound strange, but personally I find that slang quite endearing. For not only does it seem quintessentially Korean (here’s another example), but with most Koreans living in the countryside until as recently as 1979, then it reminds me of the country’s strong agricultural roots too (no pun intended).

Ahem. Continuing:

Dal-ma: Still, if something is judged sexual harassment or not all depends on your face (how attractive you look)

Woman left: He really said that?

Woman middle: (Laughing) Really?

Dal-ma: Wow! Look at her chest!

Dal-ma: Jeez, how can’t they feel ashamed to wear clothes that emphasize their breasts like that…

Eek, I forgot! Staring is also sexual harassment.

Dal-ma: (Worried) For no reason, because of a misunderstanding I’d be called a bald pervert.

Woman: Eek! It’s sexual harassment!

Having a shaved head myself, then I couldn’t help but chuckle at the unnecessary mention of his baldness here, as if that somehow makes his perversion all the worse. But with shaved heads being best known as a symbol of “prison, protest, or penance” in Korea, then unfortunately those negative connotations aren’t likely to go away any time soon.

Woman: Sexual harassment!

Dal-ma: No, it’s not that…

Women in background: Bald pervert!

Dal-ma’s daughter: What’s wrong with Dad?

Dal-ma’s wife: He’s like that because working at the office is tiring.

Next, number 57 (as I type this, the latest is number 327 by the way). Sorry for the poor image quality:

Woman (Eun-hee): Good morning!

Man: Good morning! Eun-hee, you bought new clothes?

Eun-hee: Yes, because it’s the end of the year I spent a lot on myself

Man: Wow, your back is a killer!

Eun-hee: Really?

Man: Yes, you’ve a perfect Honey-bottom!

Despite what the man says in a moment, that’s the first time I’ve heard the term ggooldongi, a combination of ggol (꿀; honey) and ongdongee (엉덩이; bottom). But I have heard (and written about) ggoolbokji (꿀벅지) that it comes from though, which, as Matt at Gusts of Popular Feeling explained:

…apparently means, according to this article and allkpop, ‘sweet-as-honey thighs’ or “alluring as-if they-were-coated-with-honey thighs”, though a more creative, if incorrect, translation would be ‘alluring thighs that spread like honey.’ Ahem.

And in particular:

…a ‘high school girl living in Cheonan’ posted a petition on the Ministry of Gender Equality’s website claiming that the word ‘honey thighs’ actually means ‘thighs that you want to smear honey all over and lick off’, and represented the sexual commodification of a female body part, was sexual harassment, “induced a feeling of sexual shame” and said its use should be banned. She was also irritated that such a ‘sexually derogatory word’ was used by the media and asked that it stop. According to allkpop, “Even Korean portal site Daum has requested people to refrain from using this controversial term…”

Hence Eun-hee’s justified reaction:

Eun-hee: Honey bottom?

Man: These days it’s popular. It means honey applied to a bottom…

Eun-hee: I’m going to the Human Resources Department to complain about your sexual harassment!

Man: Honestly, it was just a compliment, why…

Man: Well, I was just complimenting her on how well her clothes fit. Why’s she acting like that?

Dal-ma: It doesn’t matter what your intention is, it depends on how the other person receives it. If they feel uncomfortable, then it’s sexual harassment.

Man: In that case, if someone has a good body, how can we give them a compliment?

Dal-ma: If you intend to compliment a certain part of a person’s body, then do it precisely. Then, the other person will take it well.

Man: I don’t really understand.

Dal-ma: Watch me do it.

Dal-ma: Sung-mi, your pectoral muscles are amazing. And your Sternocostal joints and Sternocleidomastoid muscle are beautiful!

Sung-mi: Er…thank you.

Dal-ma: You see?

No, I didn’t find them funny either. What’s more, they give the impression that all it takes to deal with sexual harassment in Korean workplaces is a quick visit to the Human Resources Department, and consequently that male employees are very nervous about being accused of it. Unfortunately though, as this case at Samsung and these recent testimonies by victims demonstrate, the reality is anything but.

Why the discrepancy? That’s a good question, and it’s made me curious to see if its also found in other newspapers, and so on. Which is not bad for a couple of quick cartoons over a morning coffee, yes?^^