Two back-to-back YouTube commercials for SK Telecom’s “T Roaming” Service, which have a blatant double standard:
In the first, actor Son Ho-jun freaks out when his girlfriend tells him she’s going on an overseas trip with her old college friends. First, he asks if any men are coming with her, but relaxes when she reminds him that she went to a women’s college. Only to freak out again when he learns she’s going to Italy:
Whatever your gender or sexuality, if your partner can’t trust you not to bang your friends or the natives when you’re more than a few days away from each other, then in my book that’s your excuse to move on and do precisely that.
But I’ll grant that it’s just a commercial, and that Son Ho-jun’s reactions are exaggerated for comedic effect. Also, provided you’re not too clingy, there’s nothing wrong at all with staying in touch while your partner’s away.
The double-standard lies in the huge contrast with the second commercial, which shows what Ho-jun needs the roaming service for when he’s overseas: access to a translation app, without which he doesn’t realize the local women are throwing themselves at him.
Again, it’s innocuous in itself, and I’m all for taking advantage of technology to make sure people don’t miss out on any potential liaisons. Given the selling point of the first commercial though, it’s a bizarre choice of follow-up.
Instead, I would have plumped for a more provocative, much more memorable version with his girlfriend and foreign men, showing Ho-jun exactly what she thinks of insecure boyfriends who want to keep electronic tabs on her.
Or, if that was indeed deemed too provocative, then simply two more commercials with the sexes reversed. As the only extra costs would have been the additional male actors and the extra shooting time, then you really have to wonder why not.
Because without those versions, these ones not only seem entirely aimed at men, but it’s very difficult not to contrast his Korean girlfriend’s childishness in the first—and lack of an angry response to his question about her male friends—with the boldness and confidence of the foreign women in the second. It’s also difficult not to place the commercials in the Korean media’s long history of depicting foreign women as sexual conquests, but foreign men as something to defend Korean women against. (Although this has been improving in recent years.)
What do you think?
(For more posts in the Korean Sociological Image Series, see here)