Quick Hit: Squee!

Lee Hyori The Baddest Girl(Source)

From part of an email interview of me (and many other bloggers) at The Korea Blog last month:

….I actually kind of called him out as a Korea hater, which he rebutted thoroughly.

Jon: Reading your site, I get the strong impression that you’re not a fan of a lot of the content you analyse and criticise, especially K-pop. I’m not into it myself, but I don’t spend much time thinking about it. What is your relationship to your subject matter?

James: Well, given the huge time and commitment involved, it’s never a good idea to write about something you don’t even like. So as it turns out, I’m actually a big fan.

That said, there’s always a great deal to criticize K-pop and the Korean media on how they objectify women, encourage unhealthy body ideals, and present such passive gender and sexual roles for them. And with such limited time to write, plus — until very recently — so few writers out there willing to bring any kind of academic research to their own critiques (not that I claim to be an academic myself!), then it was easy for my writing to fall into a certain pattern.

On the other hand, I do try to avoid sounding so cynical and repetitive. So, by coincidence, in (update: *cough*) two weeks I’ll be posting an article about indie girl-groups that reject being objectified for instance, chosen to counter one going up this week about mainstream girl-groups that don’t (update: although it turned out to be much more complicated than that!). And, when K-pop does produce something that defies the stereotypes, then I’m just as gushing as any fanboy — just see my review of Ga-in’s Bloom!

Lee Hyori Nylon Korea May 2013(Source)

See the link for the rest, and for more on many other bloggers you should be reading. As for Lee Hyori…well, this post is just an excuse to post that picture and indulge in some more of that socially-conscious fanboying really, of which she is just as deserving as Ga-in. But I am looking forward to her comeback (see here for some video teasers), and hope that it’s well received, which would bring much more attention and support to the causes she’s embraced.

Until then, apologies to those who don’t share my love of her, but you are dead to me and I promise more of that cynicism and repetition soon. To everyone else, note that the above edition of Nylon is now available in stores, unlike — grrr — last Wednesday evening (and Thursday morning, and Friday, and…) when I first heard of her inclusion, and — oh, yes — squee!

Off The Record: Lee Hyolee — Catch it while you can!

Lee Hyori Off The Record(Sources: left, right)

Reading recent discussions about 2NE1tv and the BBC’s Idol, I was reminded of Lee Hyori’s endearing Off The Record series from 2008, which I’ve tried and failed to find online for years. So I checked again, and to my amazement and consternation discovered that blogger 쓰리에스의 한류 Story has actually had all 12 episodes up since last May…

Needless to say, all of them were rapidly in my possession, via this Firefox extension. Normally, it doesn’t work for Naver videos, but I lucked out in this case.

For those who’ve never heard of the series though, please note that it’s hardly a critique of the Korean entertainment industry akin to Idol. But, it does provide some insights into the day-to-day practicalities of it, and makes it obvious why Lee Hyori — Korea’s first ethical sex-symbol — was so popular in the 2000s. Also, even in the rare event that you don’t become a fan yourself, it’s still a valuable Korean study tool, providing a rare combination of everyday Korean language and Korean subtitles that isn’t in the form of an inane gameshow or clichéd drama.

What are you waiting for??

Korean Sociological Image #76: Gendered Innocence and “The Nation’s First Love”

Galaxy Pop Advertisement

Three celebrities, three natural labels.

After all, Kim Yoo-jung is young. Song Joong-ki is chic, or at least compared to us mere mortals. And Suzy?

Well, she is simultaneously the baby, the designated cute member, and the most ‘visual member’ of the girl-group Miss A, all standard archetypes for cookie-cutter K-Pop groups. So, perhaps it’s no wonder she’s become known as ‘The Nation’s First Love’ (kookmin chotsarang;국민 첫사랑).

As such, last year she displaced even Girls’ Generation members to become the CF Queen,” and she became a major earner for label JYP Entertainment in the process (to the extent that she’s been accused of completely overshadowing the other members of Miss A). Clearly, she’s very popular.

Addicted to Feminist Media CriticismWhy then, does seeing this picture of her get me so hot and bothered?

Blame the 30-minute subway rides to work as I pass it everyday. After two weeks of those, I’ve realized there are several questions raised by that label of hers, which I’d love to hear your thoughts on (source, right):

1) In Korea, has a male celebrity in his late-teens (or older) ever been explicitly marketed as innocent?

To be clear, I’m not saying that their general image can’t be innocent. For instance, as described by Bethany at Seoulbeats, this has certainly been the case for Lee Taemin (and, at 19 now, is something he’s trying to shake off):

Many K-pop fans probably also remember cutie pie Taemin debuting at the age of 15, all fresh-faced and adorable. But while he was the youngest member of SHINee, he also boasted the slickest dance moves onstage and in their music video for “Replay,” which still remains my favorite SHINee song to date. Taemin has been pegged as the cute member of SHINee since his debut days, and even though he has taken on a sexier, more mature look in “Lucifer” and more currently, “Sherlock,” noona fans still remember the days of innocent Taemin. It’s lucky that Taemin had such good hyungs who took care of him so diligently — looking at you, Key. He also graduated high school not long ago…

Taemin Etude House(Source)

And, of course, such innocent images have indeed been exploited and/or manufactured by advertisers; in Taemin’s case, by cosmetic company Etude House for one, with appropriately cutesy taglines. But explicitly identifying a young male celebrity as innocent, to the extent that there’s a “soonsoohan;순수한” next to his name like next to Suzy’s? Although I’d be happy to be proven wrong (and I do acknowledge the over-generalizations I may be making in this post), I have the strong suspicion that’s a gendered divide which advertisers and the public simply aren’t prepared to cross.

To buttress that point, consider the following thought experiment:Why Missha Kim Hye-soo TVXQ

2) Can anyone imagine the sexes reversed in the opening ad?

Alone or with other women, it goes without saying that women are indeed regularly depicted — or explicitly described — as chic in advertisements. Or, in any one of any number of other mature, positive terms. But mix the sexes up, and the tendency is to reaffirm gender stereotypes and roles.

Usually, this is subtle, like in the ways described in my Gender Advertisements in the Korean Context posts. In the opening ad though, it is explicit, the young and innocent females providing the binary opposite to the man’s chicness, thereby affirming his greater sophistication (for a similar example, see this vintage lego ad that is ironically usually lauded for its gender neutrality). Which is fine in itself, but to see the sexes reversed is so uncommon as to be jarring, and all the more memorable for it.

Like in this 2011 Missha advertisement for instance (source), with then 41 year-old Kim Hye-soo and — albeit not exactly innocent-looking — 25 year-old Jung Yun-ho and 23 year-old Shim Changmin of TVXQ. Personally, it reminds me of “Jane Bond” a little:

Jane Bond(Source)

3) Is this gender stereotype more prevalent in Korea than elsewhere?

With the provisos that (sexual) innocence will always be treasured more in females than in males, as the latter will always have concerns about the paternity of their children; and that, as Brian in Jeollanam-do put iteverything in Korea “tries to be cute, in the same way everything in the States is “Xtreme” and too cool for school,” this does indeed appear to be the case. Consider how:

  • Stressing the cuteness, innocence, and (supposed) asexuality of young female celebrities is the modus operandi — i.e., key to deflecting criticism — of “ajosshi fandom” and “uncle fandom.”
  • Through young, overwhelmingly female celebrities, Korean girls are heavily socialized to use infantilizing aegyo
  • Not only is there also a “The Nation’s Little Sister” out there in addition to Suzy being “The Nation’s First Love,” but: a) There are no male equivalents; and b) Technically, Suzy is actually the third first love!, with JYP, well-known for experimenting until a concept is shown to work, arguably more responding to this clear media-driven and/or public demand for one rather than deliberately over-promoting Suzy per se.

As a commenter at Netizen Buzz explains (my emphasis; source, right):

Uncle Fan Girls' Generationppl always complaint that Suzy get too much spotlight, too much articles. But it’s funny that when there’re some articles/ objects about other members, nobody cares. I think it’s not Suzy’s fault to make other members become underrated. it’s just that fans ( specially K-fans) don’t love them enough. If everybody don’t love Suzy so much, she won’t be get so many CFs, drama invitations. You have to understand that they want Suzy to be in their dramas, CFs, not others. So we can’t say “Instead of using Suzy, why don’t we use Min/Jia/Fei?” And JYP can’t do nothing with it. And why ppl kept hating on her? She has to work with a murderous schedule, but she never complaint about anything. Just keep working so hard and share her money to her unnies, but still she get so many hates. You guys always think that’s not fair for others but I think that’s not fair for Suzy too.

And on that note, again I acknowledge any generalizations I may have made in this post (difficult to avoid with something ultimately based on just one ad!), and am happy to learn of exceptions. But even happier though, to learn of your own thoughts on those questions!

Update: An April 13 Netizen Buzz headline says “Suzy takes the lead as the star with the most CFs in 2013 with 22.”

(For more posts in the Korean Sociological Image series, see here)

Update

She Bop: The Definitive History of Women in Popular Music(Source)

Just a quick note to apologize for the slow posting everyone. Actually, I’m not taking a holiday (although Christmas was a little busy), it’s just that my next post is taking longer than expected. But rest assured that it’ll be up on Monday sometime next week (update: forgot that my kids were off next week sorry!).

In the meantime, my latest article for Busan Haps, “K-girl Power: The emerging trend of empowerment and sexuality in K-pop,” is available here, a condensed version of this post. And, as a Christmas present to myself, I’ve just ordered — squeee! — the third edition of She Bop above, just released this month; The Beauty Myth, by Naomi Wolf (my other copy is in my mother’s spare room, and my friend’s gift of a PDF just isn’t cutting it!); Behind the Red Door: Sex in China, by Richard Burger; and finally, belatedly, Tune by Derek Kim.

If anyone’s read any of them, I’d love to hear your thoughts. And Happy New Year everybody!