Real & Presumed Causes of Racism Against Interracial Couples in Korea
( Sources – left: GR X Hermark; right )
Over at a recent post on Noona Blog: Seoul, an excellent blog written by a Swedish woman in a relationship with a Korean man, currently there’s several interesting comments about the sources of racism often directed against Korean female – Caucasian male (KF-CM) couples in Korea.
Many of which were written by Jake of Asian Male Revolutions, who has the admirable and very necessary goal of challenging the racist and emasculating images of Asian men in the US media through that website.
But in the process of – in my view – very much contriving to paint racism against KF-CM couples in Korea in those terms, as well as global racial power relations, I found he made many extremely sexist assumptions about Korean women, which I’d like to challenge. As technical issues prevent me from doing so at Noona Blog directly however,* then – assuming that you’ve already read his comments – I’ll post my original response here instead:
Dear Jake,
it’s difficult not to sound offensive when critiquing someone’s opinions so harshly. But still, however legitimate your concerns about representations of Asian men in the US media are, it’s incredibly naive of you to assume that that these would exist in the same form and degree in the Korean media, or indeed at all.
Argue that they still have a role in expressions of racism against KF-CM couples in Korea nevertheless though, and you end up simply sounding like an apologist.
Much more seriously however, in so doing you also rely heavily on some extremely patronizing and sexist assumptions about Korean women, let alone racist ones against Caucasian men. Let me explain.
I’ll start with your acknowledgment that “there’s no denying that simple male jealousy plays a role in the bellyaching white men…encounter as one part of an interracial couple in Korea.” Naturally I fully agree, and while I consider it a little harsh to dismiss treating that “as simple jealousy from a bunch of Korean/Asian losers” as a “pretty foolish assumption” – after all, you get jerks like that the world over – I also agree that it is wise “to consider the historical and political implications and undertones of various types and permutations of interracial dating” to understand that bellyaching more fully (source, bellyaching pun above).
But what is that historical and political context you identify?
The Western media has a much longer reach than Korean media; in fact all Asian media is to an extent influenced strongly by Euro-centric beauty standards. This has been well-documented by all the plastic surgery, and by the glorification of media figures (singers, actresses) who are selected first and foremost for their vaguely euro-Asian looks (as opposed to supposedly ‘ugly’ Korean features) and then groomed by a team of trainers and managers to become media superstars like Girls Generation, Son Dam-Bi, and all the ‘flavors du jour’ pop-tarts you see on Korean TV shows.
And again I largely agree, having written many posts saying pretty much the same thing myself. But crucially not the “The Western media has a much longer reach than Korean media” part; and as we’ll see in a moment, I feel you have an extremely inflated view of the Western media’s power in Korea.
So given the fact that an embedded system of euro/white-worship permeates South Korean pop-culture, white males have more elbow room to work with in the global dating scene. Many come to the shores of Korea and Asia and have relatively little trouble finding willing women who having seen and internalized images of white beauty standards, would like nothing more than to experience the thrill of dating the mythic “white boy”. And white men who come to Korea are only too happy to take advantage of this fact.
Okaaay…I’ll deal with your warped view of the interracial dating scene in Korea in a moment too (source above: Gusts of Popular Feeling). But first, let’s focus on your views of Korean women which it relies on, which you expand upon in your next comment:
Asian female/white male relationships cannot happen unless both parties are willing to participate in it.
This can only mean one thing – that Korean women, having internalized media messages glorifying white men, are also actively seeking them out to satisfy their own ‘white fetish’. Therefore, we cannot simply categorize white men as “predators” for Asian flesh: instead, a significant number of Asian women are willing collaborators.
Interesting choices of terms you’re using, especially that last. Continuing:
Or at the very least, they are passively open to it – that is, they might not go out of their way to seek white men, but if one does hit on them they are psychologically “primed” to be much more open to their sexual and romantic advances, as opposed to a black or even Korean man.
This is just more evidence of the pervasive white worship in Korean society, and it illustrates just how thoroughly and totally many Korean women internalize this message.
You’ve seen them in the bars and clubs and lounges of Seoul. To them, white boys on their arm are the ultimate accessory to their personal crusade to be the “coolest” chick on the block.
They’re commodifying race – and according to their rather twisted logic, being seen with a white guy the equivalent of having the latest handbag or shoes.
( Source )
They ought to stop and think about the implications of their choices. To them it’s a confirmation of their own belief that “being with a white man = COOL + URBANE + COSMOPOLITAN + TRENDY”… but it’s actually an expression of a colonial mindset – they are psychologically and mentally colonized, dominated, and enslaved.
They’re not setting the tone on what is cool – they’re doing the exact opposite: setting the tone on what is sick, twisted, and unwholesome.
Disclaimer: I am in no way claiming that ALL Korean women with white men are like this. But there is also no denying that a significant number of these women do exist. So please take my comments for what they are, and don’t take them out of context. Thanks.
Hey, no-one is denying that there are some Korean women who seek a White boyfriend for much the same reasons they would a Gucci handbag (or various types of Korean men either for that matter). But a “significant” number of Korean women with White men are like this you say? What percentage of them do you mean by that term roughly? 10? 25? And do you actually have any evidence whatsoever that they represent anything but the tiniest fraction of all KF-CM relationships?
Also, I’m rather confused: what percentage don’t want a White boyfriend as an accessory, but like you say just want to experience the thrill of dating one instead (which apparently is bad, even though we’re all attracted to the exotic)? What percentage are simply psychologically “primed” to spread their legs more readily for a White man “as opposed to a Black or even Korean” one? And finally, presuming you even allow for the possibility, what percentage of Korean women would you say aren’t passive, unthinking dupes of media messages of White male supremacy and are thus able to have genuine loving relationships with White men?
More to the point, have you asked so much as a single Korean woman of what she thinks of your characterization of them above?
I have asked one myself actually, my wife, and I’d wager that her reaction to you on the right is pretty representative. But I’ve asked many many more about interracial dating (including many who only speak Korean), and I think you’d be rather surprised at the far greater numbers of Korean women who have little interest, even a positive distaste at the possibility of dating White men.
Moreover, while global racial patterns of hegemony and privilege certainly ensure that more White guys end up in South Korea than, say, Indian guys, and that stereotypes of both exist that encourage and discourage Korean women to form relationships with them respectively, it doesn’t automatically follow that Korean women assessing them as potential partners don’t do so by pretty much the same criteria that they do for any men, including Koreans.
Most South Asian men in Korea, for instance, are laborers, which obviously puts them at a big disadvantage to middle-class White teachers. Also, as one Korean female friend put it to me, while White guys tending to be taller has a great deal to do with their attraction to some Korean women (albeit a disparity that is rapidly disappearing), that still isn’t enough to overcome the anticipated language and/or cultural difficulties for most others. And another acknowledged that while White men in Korean tended to have more money (and freedom) than Korean guys in their early-20s, with the ESL industry in Korea being the joke that is, then, financially-speaking, in fact Koreans make much better partners by their late-20s and early-30s.
In short, while the specific mixture of the fish in the sea may well be determined by forces beyond their control, women are very much the arbiters of which ones they reel in so to speak.
To be fair, you do somewhat acknowledge this in your next comment, and which I admit I misinterpreted in the first draft of this post. But still, it is interesting how you force that into a narrative of Korean female submissiveness and White men’s sexual colonialism nevertheless. You say of the relationship between one commenter’s German father and Korean mother’s relationship, for instance:
…until Korean male/German female relationships become just as commonplace as what’s already out there (that is, WM/AF relationships), you can’t exactly hold that up as a ’shining example’ of “colorblindness”. It’s not — it’s more of an expression of racialized power structures and a neo-colonial history.
No, actually it can be colorblind, and both relationships and the people behind them are more then mere expressions of vast, impersonal forces. But if you’d like a more specific critique of your twisting facts to suit your narrative however:
( Source: Baby Black )
It’s the German man’s knowledge when he goes abroad that his country is wealthier and more powerful, compounded with the Korean woman’s knowledge that her’s is less wealthy (particularly back in those days), that makes the Western-male/Asian female (WM-AF) relationship so numerous.
And since women generally look to marry “up” while men look to marry “down” (socially and economically), you can see why the inequality between the white and Asian races makes the WM-AF relationship so easy to forge.
Put simply, I call bullshit on women marrying up and men marrying down: in virtually every society, both historically and today, the vast majority of men and women marry someone within the same socioeconomic group as themselves. Earning much more money than women however, then men are certainly freer to marry down, but that doesn’t at all mean that they aim to do so, or that they don’t aim to marry up any less than women.
But this critique pales in comparison to your reaction to the commenter after that, who wonders where the inconvenient reality of increasing number of Korean male – Caucasian female pairings like her own fits into your diatribe?
If you take some time to analyze our message instead of reacting emotionally, you’ll see just how out of line your thinking is, and how little time and effort you put into trying to understand something that is admittedly *highly, highly* complex. It’s a difficult concept for anyone to wrap his or her head around, so I guess I can’t blame you for taking the lazy way out with convenient and disjointed logic.
But then I said I’d talk about the Western media’s influence in Korea, and so I’ll do so now by contrasting the different impacts you feel it has on Korean men and women (my emphasis):
But the rub for Korean men (in general) is that men in places like Madison Avenue in New York City and Hollywood who control the images that go up on billboards and on TV and movie-screens are white – and they invariably make those images in their own image: White, Male, and BLOWN WAY OUT OF PROPORTION. In short: welcome to the world of Hollywood and the White Male Action Hero.
Keep in mind that while this is happening, Asian males are either completely excluded or used as a foil to make the white male look better in comparison. So Asian males in America or Korean males living in Korea internalize this subliminal message in the media and think that they can’t possibly step up to a blonde girl (or whatever white chick). They live their entire lives being psychologically castrated, in sharp contrast to a white male from where ever, who is emboldened or even arrogantly empowered by the jumbo-sized images made in his likeness, in the embrace of gorgeous white, black, latin, and of course Asian women in movie theatres all over the world.
( Source: Somang Cosmetics, 2003 )
Hey, again I completely agree about the representations of Korean and Asian men in the US media. But I’m curious as to how you think this affects Korean males in Korea exactly, and what’s more upon whom you – very tellingly – imply that there is an equal effect as on Asian males in America. Pray, have you actually watched or read any Korean television, movies, magazines, or websites recently? It’s not like they’re lacking for strong, macho images of Korean men getting the Korean girl; or indeed, frequently getting the White girl these days, creating hypersexual stereotypes of them in the process.
Moreover, for a domestic media supposedly at the mercy of the global/Western media and its emasculating imagery of Korean men, it’s just bizarre how nevertheless it still has the ability to effectively censor all expressions of women’s sexual interest in foreign players during the 2002 World Cup; to not allow a single positive representation of KF-CM relationships in advertisements until July this year; to give a free voice to groups that, under the belief that Western men are all diseased sexual predators, will literally stalk them with the aim of catching them doing illegal tutoring, thereby getting them deported; producing “documentaries” that show that Korean women will invariably get raped if they date White men; and so on.
Am I also “emotionally reacting” in pointing that out?
And simultaneously (being human and all) many white women are conditioned to shoot for white men as the “gold standard”, since all the glorified images of ‘male sex appeal’ feature only white males. Some even view Asian males with contempt or pity, and this of course spills over when white chicks go abroad – though to be fair, I’ve noticed this racist bias more in North American white females than European ones. So it is any wonder we see a “global sexual marketplace” that is DOMINATED by white males (figuratively) ‘raping’ and exploiting these loopholes to their sexual advantage?
Given the above dynamics of a GLOBAL system of media brainwashing that favors white males, is it any wonder that some people in Korea or elsewhere might secretly (or openly, in some cases) resent a white male for doing what he does? It’s not unreasonable, or completely out of the realm of possibility.
Ah. So while Korean women are mere passive dupes of the Western media, in contrast Korean men are savvy, knowledgeable consumers of it, and for whom calling a Korean woman walking down the street with Caucasian male a whore, say, is hence a justified response to their symbolic castrations and emasculation therein? As is the way the Korean media treats Western men?
(See Gusts of Popular Feeling for an explanation of the above video)
To put it mildly, that sounds rather apologist to me. But then considering what you write about White guys in Korea, then what would I know, right?
But here’s the funny thing: to him, he’s just ‘innocently’ going about his personal life – but of course he also doesn’t see (well, probably chooses not to see, that is, ignore) that the entire System is built for HIS personal advantage. It’s custom-built for his white male needs – and that is very racist, no doubt.
And on that note, I’ll put this response to rest. Regular readers may well wonder why I devoted so much time to it: after all, its flaws speak for themselves. But then I’m only human, and I reacted partially because it reminded me of how a commentator on this blog also conflated the 2 issues in an earlier post for instance, and whom I simply gave up reasoning with. Much more though, because it was annoying to spend 60 minutes on a comment only to have it disappear (see below), and finally especially because I was angered by comments on a similar post on Noona Blog not only gushing with enthusiasm for Jake’s comments but also implying that he had “a fact-based academic writing style”, when if anything it’s marked by their complete absence.
Combine that with being a White man married to a Korean woman blogging about gender issues in Korea too, who as a result has had trolls insulting the both of us incessantly for 3 years, or even being sent 3000 word emails patiently explaining that the vast majority of White men in Korea (but always excluding myself of course) have yellow fever, and that I’m just being emotional in not acknowledging that…then hopefully you can see why I get very tired and angry at hearing that sort of thing sometimes!^^
Update: See I’m No Picasso and Roboseyo for two excellent posts written in response to this one.
Update 2: And now Gusts of Popular Feeling too.
You’ve seen them in the bars and clubs and lounges of Seoul. To them, white boys on their arm are the ultimate accessory to their personal crusade to be the “coolest” chick on the block.
They’re commodifying race – and according to their rather twisted logic, being seen with a white guy the equivalent of having the latest handbag or shoes.
They ought to stop and think about the implications of their choices. To them it’s a confirmation of their own belief that “being with a white man = COOL + URBANE + COSMOPOLITAN + TRENDY”… but it’s actually an expression of a colonial mindset – they are psychologically and mentally colonized, dominated, and enslaved.
They’re not setting the tone on what is cool – they’re doing the exact opposite: setting the tone on what is sick, twisted, and unwholesome.
Disclaimer: I am in no way claiming that ALL Korean women with white men are like this. But there is also no denying that a significant number of these women do exist. So please take my comments for what they are, and don’t take them out of context. Thanks.
*Actually, my original intention was just to leave a comment at Noona Blog, but as soon as I hit “submit reply” then it disappeared into the ether. As the same thing happened on a different post last week however (my first there), then wisely I’d saved it first. Of course, it’s annoying that I can’t seem to comment at all there then, but normally I’d just chalk that up to the idiosyncrasies of the individual website. Yet then the same thing happened on Seoul Beats yesterday too (thanks for the link guys!), which I have successfully commented on before. Do any technically-minded readers have any possible explanations? A plugin issue perhaps, or something to do with the most recent version of WordPress? (Switching from Firefox to I.E. didn’t help) Thanks in advance!
Korean Movie Review #1: Peppermint Candy (2000)
( Source )
For the fledgling movie reviewer, revealing one’s inexperience with cinema is never a wise move. And adding that this inexperience stems from an at best indifferent, at worst active dislike of the subject? Positively suicidal, at least in terms of becoming known as an authority on it.
Fortunately however, that is not my aim with this post. Rather, it marks the first of many movie reviews I’ll write as I personally struggle to see Korean cinema in a new light from now on, hopefully providing readers with an entertaining and informative guide in the process.
I won’t bore readers with the combination of personal factors that led me to under-appreciate Korean cinema for the last 9 years here then; suffice to say, many had little to do with the quality of Korean cinema itself. Hearing of them though, no less than a professor of Korean popular culture, a professor of Korean literature, and a published science-fiction writer all recommended Peppermint Candy (박하사탕) for me to start with (the latter even loaned me his boxed set of director Lee Chang-dong’s DVDs with which to do so), so I had high expectations for this movie. And even if you’re not blessed with such uniquely knowledgeable friends yourself, it doesn’t take long to learn that it has a strong place in Korean popular culture (it was the first domestic movie chosen as an opening film for PIFF for instance), and the screenshot below in particular.
And yet for all my friends’ high praise, for all the accolades, I found this to be a bleak, deeply frustrating movie. Feeling that perhaps my own inexperience was to blame, I forced myself to watch it again, this time with my wife. But unfortunately I gained nothing from the benefit of hindsight – more things to critique in fact – and indeed my wife even fell asleep well before the end.
( Source: mamimisama )
The film opens in spring 1999, with main character Yong-ho (Sol Kyung-gu {설경구}) joining a 20-year reunion of his old factory social group on the banks of a river. Quickly revealed to be bitter and angry, his behavior extremely erratic, within a few minutes he’s welcoming his death from an oncoming train on a nearby railway bridge, screaming the now classic line “I want to go back!” (또 다시 돌아갈래). Then it’s 3 days earlier (the first of 6 backward jumps in the story), and we see him buying a gun, then toying with killing himself. Soon it emerges that despite appearances, he’s virtually penniless, and that this is the result of his former business-partner stealing his money, a loan shark charging exorbitant rates of interest, and possibly his ex-wife also (played by Kim Yeo-jin {김여진}).
Then it’s 5 years earlier, and we see him as a successful business-person, and I anticipated seeing the events that led to his financial downfall. Instead, only the dissolution of his marriage is portrayed, for which both partners prove to be at blame. At which point that I began comparing the movie to Clerks.
Yes really: the 1994 budget US comedy. Please bear with me for a moment.
Easy to miss amongst all the jokes, towards the end of Clerks there is a scene where the main character Dante Hicks (played by Brian O’Halloran) complains about everything that has happened to him that day, as, indeed, he has been doing throughout the entire movie. What sets this scene aside from those though, is that in response, Randal Graves (played by Jeff Anderson) points out that everything he’s complaining about is in fact entirely his own fault. And with those 10-15 seconds and 2 or 3 lines, for me the movie was transformed from merely a good but ulitmately forgettable comedy – I find it difficult to laugh at today – to something with a clear moral, and one that I have taken to heart ever since.
Granted, at the age of 18, one is probably more inclined to deliberately seek out such morals from movies than at the age of 33, imaginary or otherwise. And as the events that transformed Young-ho from a very innocent and dreamy young man to the bitter and twisted individual that commits suicide 20 years later are revealed, undoubtedly there is much in this vein to be gained from Peppermint Candy also, particularly with such suburb acting from Sol Kyung-gu, Kim Yeo-jin, and Moon So-ri (문소리), playing his first girlfriend.
( Source: momo369 )
Most of the important ones however, such as how he came to lose all his money, why he joined the (then notoriously brutal) police, why he married his wife despite not loving her, and why he treated his first girlfriend so appallingly, are simply never answered. And therein lies the rub: these gaps are simply inexplicable in a movie about so focused on the linear, chronological development of a single character (albeit in reverse), emphasized cinematographically throughout by footage of trains between each segment in the story, and also – noticeable after a second viewing – the sounds of trains passing in many important scenes. Just like Darcy Paquet of Koreanfilm.org then, I too found that
…ultimately the main character remains out of our grasp. Lee denies us any easy explanations for our hero’s character, or excuses for his behavior. The film frustrated me as I was watching it for the first time; I wanted greater access to the hero’s feelings.
Unlike him however, I wasn’t “shattered” upon reaching the end of the movie: more exasperated. And I thoroughly regret watching it twice.
Perhaps as if to subconsciously compensate for these gaps in a movie that they otherwise clearly thoroughly enjoyed though, I have noticed many other reviewers of this movie (particularly Anthony Leong and Thomas Spurlin) finding Young-ho’s character to be both a product of and metaphor for the turbulent 20 years of South Korean history that the movie covers. But this is simply bogus: having a knowledge of that history doesn’t add anything to the movie, nor does the movie in any way educate you if you lack it. Moreover, Young-ho’s financial troubles for instance (vague as they are), are by no means related to the 1997 Asian Financial Crisis, and what happens to him during his military service in Kwangju May 1980 could have happened at any other time before Korea democratized. Indeed, given that the movie’s narrative would have worked equally as well in 1969-1989 or even 1959-1979, I’d argue that in fact its setting is almost irrelevant.
( Source: momo369 )
While I ultimately don’t recommend seeing this movie then, readers that already have may well disagree with my take on it, and I’m more than happy to be persuaded of its virtues. And I do, again, acknowledge the superb acting, and should also point out that the movie is also interesting for its depiction of Korea in the 1980s, for which I highly recommend the book Yogong: Factory Girl by Robert F. Spencer (1988) also to get a sense of just how different daily life was in Korea then.
But however naive and unsophisticated it sounds, I still apply the same standards to movie today as I did when I was 18. And lacking any readily discernible moral then, nor educating viewers about an issue or giving me a fresh new perspective on a previously well-known one, I failed to see the point of this one.
Next week: A Good Lawyer’s Wife (바람난 가족; 2003), which coincidentally features two of the same three main actors.
Korean Sociological Image #4: Where do Korean Politicians Come From?
Apologies for the small size, but if you can see the pink and orange blobs for Korean politicians that were originally civil servants or in the military respectively, then you get the idea.
The graph is from this article in the Economist magazine, which asks the question of why professional paths to the top vary so much, but unfortunately only mentions South Korea when it says…
Countries often have marked peculiarities. Egypt likes academics; South Korea, civil servants; Brazil, doctors (see chart 2). Some emerging-market countries are bedeviled by large numbers of criminals, even if this doesn’t usually show up in their ‘Who’s Who’ records.
…yet is no less fascinating for all that. If I reluctantly confine my brief discussion to South Korea here though, then that predominance of civil servants among Korean politicians should be no surprise to anyone familiar with its Twentieth Century history (see here and here), and I’d expect to find much the same in other postwar “developmental states” also, particularly Japan that is their model and the former colonial power of most.
But of course their importance goes back much further than that (see here), as indeed it does in China, which has historically provided Korea with many governmental and political models to emulate. Hence the Economist is quite correct in painting Chinese Communist Party officials with (literally) the same brush also, for despite their modern ideological labels they are in many senses merely performing what are really quite timeless roles.
Other than that, I confess to being surprised at the number of politicians with military backgrounds, even though I’ve written a great deal about the pervasiveness of military culture in Korean daily life. One shouldn’t make too many generalizations from so little information though, and so I’d hesitate to make any links between the low numbers of politicians that were formerly lawyers and Korean legal culture also, although I’m certainly tempted!
(For all posts in the “Korean Sociological Image” series, see here)












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