(Guest Post) Misogyny is Sexy: The power structure of sex

korean-misogyny-k-pop(Source, left: Isabel Santos Pilot; CC BY-NC-SA 2.0. Source, right: SenseiAlan; CC BY 2.0. Both pictures edited.)

The 2016 US presidential election can be viewed as a struggle for power. Not only was it a struggle for political power, but there was a very basic struggle that permeated throughout the entire election season — the struggle between men and women. Late into last Tuesday night, we saw Donald Trump, a man with a history of misogyny, triumph over Hillary Clinton and dashing the hopes of those wishing to see the first female president in US history. As I sat in my living room watching the results unfold, I couldn’t help but think to myself, “Misogyny is sexy.”

Misogyny, defined as an ingrained prejudice against women, is at its core an ideology which allows the man to assert power and dominance over the woman. This can be manifested in many variations, a prominent form of which is portrayed through the culture of sex. Misogyny is highly embedded into the culture of sex in that sex is often times presented as a power trip for men. Under the context of misogyny, women are the gatekeepers of sex and men are the conquerors who must get past the gatekeeper in order to claim the prize. By viewing sex as a competition of man versus woman, misogyny is inherently at play. In this cat and mouse game, the woman is initially presented as having the upper hand and the man’s goal is to shift the balance of power by conquering the woman through obtaining sex. In essence, misogyny is normalized in this kind of relationship and, in turn, a man’s dominance over a woman is at the very center of this culture of sex.

As with any form of culture, its inherent values are often highlighted in the media, and K-pop is no exception. Misogyny is widely at play in many concepts, storylines, and character tropes of our favorite groups and idols. It’s the normalization of misogyny, and its influence on our perception of sex, which makes some of these examples so subtle and hard to distinguish. However, it’s important to recognize misogyny in the things we consume and to identify the difference between what’s sexy and what’s sexist.

The roots of misogyny appear in many forms among a wide variety of cultures. Many civilizations have a popular mythology which represents the female embodiment of wrongdoing in which the foundation of misogyny resides. The most well-known of these mythological scapegoats among Christian societies is the story of Eve and the Original Sin which resulted in man’s exile from the Garden of Eden. Under the influence of the snake, Eve bites the apple despite God’s specific instructions not to and, as a result, Adam and Eve are booted from paradise. By listening to the treacherous snake and indulging in the Tree of Knowledge, Eve decided that knowledge was worth the price of utopia, and her female descendants have had to bear the scorn of her mistake ever since. The characteristics of the snake, the embodiment of deceit and evil, also happen to be attributed to Eve.

Ancient Greece introduced the idea of women as dangerous creatures who lured unknowing male seamen into shipwreck by their irresistible song. The Sirens of Homer’s The Odyssey are a prominent example of the demonization of women in popular mythology. They are the classic representation of a trope which depicts women as duplicitous, treacherous, and all the while irresistible to their male victims. The song sung by the Sirens introduces an element of temptation. The allure of their song can easily be interpreted as the irresistible offer of sex which draws in unsuspecting men. Very much like Eve’s snake, the Siren’s song is another embodiment of the deceitful and ill-intent female. In the case of the Sirens, these females are directly portrayed as villains and their ill-intent is specifically targeted at men.

Korea is not without its share of misogynistic roots in its popular mythology, the most prevalent of which is the Kumiho. As legend would have it, a nine-tailed fox that lives for a thousand years turns into a shapeshifting creature who’s out to ingest men. One of its most poignant tricks is to change into the shape of a seductive woman in order to attract men and devour them. While comparisons to the Sirens can be easily drawn, the Kumiho is certainly much more vicious in her deceit. The premise of shapeshifting, the ability to look like anyone or anything, can be truly horrifying when the creature is clearly a predator out for the blood of men. At best it’s a trope which adds to the element of deceit introduced by the Sirens, but at worst it may also be viewed as a painstaking metaphor for women who seem insincere, double-dealing, and generally untrustworthy — terms which happen to be associated with Hillary Clinton.

Not surprisingly, the Kumiho is often depicted as the Korean version of the treacherous, man-hating woman whenever she appears in K-dramas and in K-pop MVs. T-ara’s “Bo Peep Bo Peep” depicts the Kumiho as a seductive woman who frequents nightclubs to lure her prey, not unlike the monster in the Species franchise. There’s also this A-Jax MV which combines an odd mishmash of mythologies.

Woori, formerly of girl group Rainbow, plays a villainous mix of Eve, Siren, and Kumiho all at once. The boys are on some deserted island which may indicate that they were shipwrecked at some point. They happen upon the lifeless body of Woori who eventually awakens to entrap and devour each A-Jax member one by one. She’s constantly shown biting into an apple and there’s even a sequence of shots which shows five skulls by her feet, one for each victim. Then the screen flashes and the skulls turn into apples. As if the heavy imagery was not enough to drive home the point, the English title of the song is somehow translated into “Snake.” The tone of the MV is silly yet it hits upon many subtle points that are associated with this trope — women are lying evildoers who are dangerous because they possess the power of attraction.

Despite what these tropes may implicate, they alone do not indicate misogyny. However, these tropes point to a perceived suspicion of women and the power that men believe women have over them due to their ability to use attraction as a form of deception. This correlates with the notion that women are the gatekeepers of sex and that they hold all the power in deciding who gets to have sex. By equating sex with power, it creates a power structure where women have all the power and men must gain it back by obtaining sex from women. And thus misogyny rears its ugly head as it is used as a tool for men to regain the power they feel they have lost due to the perceived imbalance of power in their pursuit of obtaining sex.

Under this notion, men become naturally drawn to mediums which reassure them of their power, and nowhere is this balance of power so skewed, so unevenly distorted in the favor of men as it is in porn. As explained in this brilliant Ted Talk, porn is often a misogynistic power fantasy for men which reaffirms the “male domination of women, [the] subordinance of women, not only as a sexual preference [but] as a way of being, a genderial hierarchy of this world.” Porn has the power to dictate what is sexy by giving men what they truly crave and wish to reclaim — power. As a result, because corporations know that sex sells, mainstream media has imitated the imagery of porn in order to appeal to men. In other words, what is sexy becomes influenced and ultimately defined by porn. And because porn is influenced by misogyny, it’s easy to cut out porn as the middleman and make the logical leap that what is sexy is defined by misogyny.

There are a ton of examples of how mainstream media, particularly girl group imagery, imitates porn but, since we’re cutting out the middleman, let’s focus on how popular culture induces misogyny into its products in order to make them sexier. Sailor Moon is an underrated example of misogynistic depictions because, although the show has its share of feminist supporters citing examples of strong bonds between female characters, the autonomous decision-making of its female protagonist, and even its willingness to explore gender roles, the show’s underlying misogyny rests in the particular method in which it sexualizes the show’s cast of underage girls.

Aside from the skimpy fetishized uniforms that Sailor Moon and her team of Sailors transform into, there is a gendered power structure which the show very subtly exploits to further insatiate the sexual appetite of its male audience. On the surface, the Sailors are presented as powerful women with extraordinary powers which allow them to overcome obstacles and destroy their enemies. Despite their powerful demeanor, however, there are many incidences where they fall for some sort of trap laid out by the villain, get tied up, and require the rescue of the show’s male protagonist, Tuxedo Mask. In these moments where strong female characters are shown to be physically vulnerable and in need of a man’s rescue, there’s a shift in power which reaffirms the man’s dominance. Despite all the time the show spends displaying the strength of its female characters, they still must rely on a stronger male character to save them. Combined with the sexual imagery of underage girls in fetishized costumes, the shift in power from the powerful women to the more powerful man invites the male viewer to take further sexual pleasure in the show’s underlying message.

It’s not too dissimilar from the Women in Refrigerators trope which uses the murder of a strong female character to motivate a male character into action, subtly implying that the strength of the female character is inferior when juxtaposed against the power of the male character, reaffirming the shift in power which once again favors that of the man.

In similar fashion, the idea that even an empowered woman can be conquered by the sexual desires of a man makes it so alluring, so provocative, and so misogynistic all at the same time. Not only is it sexy to depict a strong and confident woman as being physically and sexually subordinate to a powerful male figure, it’s even sexier to depict her as being physically and sexually resistant to the man’s advances before eventually succumbing to them. This is the ultimate shift in power that caters to the male viewer’s delicate ego and fuels his power-hungry libido. Under this context, sexual assault can even be viewed as sexy, as is conveyed by Mamamoo’s “Decalcomanie” beginning at the 3:14 mark.

As mentioned in Qing’s review at Seoulbeats, the encounters depicted during a sequence of scenes are borderline displays of sexual assault against each member, deploying wrist grabs and wall slams in order for the male figure to secure a kiss, and possibly more depending on how one interprets the symbolism of the bursting fruit and blindfold removing imagery. The MV subtly builds to this climactic moment by portraying the male in each scene as a stranger to each of the members and implying that these are completely random encounters in very isolated and vulnerable environments for the victim, such as the side of the road, an empty hallway, and inside an elevator. Not to mention that there was an actual struggle depicted between Solar and the man in the elevator which was quickly edited out after Mamamoo’s agency received a litany of complaints from upset viewers.

mamamoo-decalcomanie(Source: Asian Junkie)

Furthermore, we’ve come to know Mamamoo as a strong and confident girl group through their powerful singing and rapping voices, funny and confident variety personalities, and elegant yet non-exploitative concepts. “Decalcomanie” seemed to follow the same pattern until scenes of sexual assault were seemingly strung in for none other than to satiate the sexual appetites of its male audience. The shots of Solar struggling against her male assailant (I was unfortunate enough to see the original MV before the edits) is in the same vein of Sailor Moon getting tied up and Barbara Gordon, aka Batgirl, falling victim to the Joker in The Killing Joke — it’s a form of misogyny meant to satisfy the male libido by demeaning a strong female persona.

In a culture where misogynistic portrayals of women are considered sexy to the point where sexual assault, entrapment, and even murder is used to stimulate a man’s sexual desires, is it really that surprising that the same narrative occurred in this year’s presidential election? A woman with decades of political experience was defeated by a man who’s never held a political office. With the odds heavily in his disfavor, the man was able to shift the balance of power and triumph over the woman to reaffirm for all men that the gender hierarchy is still in their favor.

Like the men who feel disempowered by the culture of sex, many voters gravitated towards Donald Trump because he was misogynistic. They turned to him because his narrative is one they can understand and are familiar with. They turned to him because misogyny is sexy while acceptance and inclusion is not. The misogynistic culture of sex which exemplifies the degradation of women as a form of sexual arousal is harmful, distasteful, and discomforting. It also provides insight into how a misogynist was elected into the highest political office in the US.

Mark is a writer and editor at Seoulbeats. If you’d like to be a guest contributor, you can send your regards to recruiting@seoulbeats.com. Otherwise, you can follow Seoulbeats on Twitter, Facebook, and Tumblr.

(Guest posts reflect the opinions of the author{s}, and do not necessarily reflect those of The Grand Narrative. Please get in touch if you’d like to make your own contribution.)

Consent Workshop in Seoul, Sunday 15 December

I’ve been asked to pass on the following. Please click on the images for larger posters (PDFs), or here to go directly to Disruptive Voices’ event page on Facebook:

consent workshop seoul englishconsent workshop seoul korean

URGENT: International Day of Protest against Violent Abuse and Murders of Sex Workers

Korea Prostitution Violence Protest(Source)

I’ve just been asked to pass on the following. The organizers apologize for the last minute notice:

International Day of Protest against violent Abuse and Murders of Sex Workers
세계 성노동자 폭행 및 살해에 대한 항의의 날

On July 19th, 2013, people are gathering in 35 cities across the globe to protest against violence against sex workers.

Following the murders of Dora Özer and Petite Jasmine on the 9th and 11 of July 2013, sex workers, their friends, families, and allies are coming together to demand an end to stigma, criminalisation, violence and murders. In the week since the two tragedies occurred, the feelings of anger, grief, sadness and injustice – for the loss of Dora and Jasmine, but also for the senseless and systemic murders and violence against sex workers worldwide – have brought together people in 35 cities from four continents who agreed to organise demos, vigils, and protests in front of Turkish and Swedish embassies or other symbolic places. JOIN US on Friday the 19th at 3 pm local time and stand in solidarity with sex workers and their loved ones around the world! Justice for Dora! Justice for Jasmine! Justice for all sex workers who are victims of violence!


Main Website:
http://jasmineanddora.wordpress.com/

Seoul: http://jasmineanddora.wordpress.com/seoul

Meet at Yeo-i-yean Office (Center for Women’s & Cultural Theory) from 1pm
여이연(여성문화이론 연구소) 오후 1시

Bring pink roses and red umbrellas!
분홍 장미와 빨간우산도 준비해주세요!

Contact:  밀사 @Milsa_

Visit the Facebook Event Page

Victim Blaming: Why “she should have just moved” isn’t a solution to harassment on public transport

Crowded Korean Subway(Source)

First, please read “Man Tries to Take Advantage of Drunk Girl on Seoul Subway” at koreaBANG. Then, with permission, my friend’s response to it:

Line 2 [in Seoul] really disturbs me, I try to avoid it because I have too many weird experiences. I have also made interventions like the one in this video, to ask someone if they know another passenger or if they need help.

In one of the comments, 니애미종범 basically writes “she should have moved” which seems like a simple thing, but I can speak from my own personal experience. On three different occasions a stranger has sat uncomfortably close to me and I moved, and they FOLLOWED me. Two of those times I moved again and they left me alone. I was lucky that there were other passengers around because I just said to them to (politely) leave me alone. But in one of those cases, the guy CONTINUED to sit next to me and talk about my appearance, ask me questions, even though I kept politely declining conversation and then said directly that I do not like to talk to someone I do not know. At that point, I decided to get off the train with a larger group of people… I pretended to go toward the stairs but when out of view I dashed onto another car and walked through the train 3 more cars… I called my boyfriend and asked him to hurry and meet me at the station and described the guy to him and told him I needed him to meet me… I debated whether to try to call the police and how to describe the situation or ask if there was a security box at the station where I would exit… All this time, I thought I had been out of sight… but then he appeared at my side AGAIN… he had seen me and followed me further. At that point, there were no people standing to get off the train and I was really afraid to get off onto an empty train platform again, so I stood up in the middle of the car and just walked around and made light conversation with random people so that people would notice me… and he finally stopped, but when I exited the train I was looking behind my back.

This is besides the frequent (monthly?) ‘accidental’ butt groping on a crowded bus or subway that does not seem so ‘accidental.’ I have taken to wearing my backpack even though it would be more ‘convenient’ to other passengers if I stored it on the top shelf, because wearing my backpack creates a buffer between me and other people and creates a little bit of space so that it is not so easy to discreetly grope and pretend it is ‘by accident.’ Even so, I still have to often tell someone not to touch me.

There are also a number of posts that criticize the person who intervened. I think it is important to be supportive to other people in our community. I try hard to avoid sending a friend home alone, or drunk, but sometimes you can’t control that. So, I take photos of taxis or other things. If my friend has been drinking, I tell the taxi driver directly where she/he is supposed to go, that someone is waiting, and photograph the name plate in the front seat of their taxi that says their name and taxi ID, etc. as well as the plate #. I ask about how long it will take and how much it will be and verbally confirm to the passenger so taxi driver avoids arguing the bill, etc. I do this because I think it “discourages” the idea that my friend is vulnerable, but it isn’t enough because there are still predatory people, complex situations and laws, and we need to support each other in navigating these scenarios.

drunk-man-fondles-girl-on-seoul-metro(Source)

While she’d like to remain anonymous, she adds for the sake of context that she is a (Caucasian) foreigner, with intermediate Korean skills. Also, another issue is the perception that police will not help and that self-defense might be dangerous to legal liability and visa status, which unfortunately happened with two of her friends that were assaulted

As a non-Seoulite, I was aware that Line 1 was dangerous, but had no idea about Line 2 (although to a certain extent, traveling on any line can be an unpleasant experience for non-Koreans and non-Caucasians). But as my friend tells me, apparently it’s a magnet for sexual harassers because “it connects a number of universities with stops like Gangnam, Sillim, Sadang and others that are very crowded.”

What are readers’ own experiences? How do you recommend dealing with harassers on the subway?

Related Posts:

Announcement: Red Maria (레드마리아) Screening Saturday, December 8

I’ve been asked to pass on the following:

★ YOU MUST RSVP via Email: womens.global.solidarity@gmail.com ★

In Korea, Japan and The Philippines, there are many women with diverse jobs and her stories. Among them, this film focuses on women who are called housewives, sex workers, dispatched workers, migrant workers, comfort women, homeless and so on. The camera tracks them as they go about their everyday lives. These women have never met one another, and their lives look quite different from one another. However, their lives are connected across national borders by the one thing they have in common. That’s their bodies and labor. How can such different forms of labor be linked to the women’s bodies in such a similar way? As we search for answers to this question, we are forced to confront another question: ‘the meaning of labor’ as an ideology that is reproduced in society.

* Entrance Fee: by donation at the door

* Languages: Korean, Japanese, Tagalog and English with English subtitles

* Naver map: http://me2.do/GDOEbSP

Facebook: https://www.facebook.com/events/370272919729052/

The screening will be held at the Colombian Mission Center.
Please note the center is very close to exit 4, and not on the University’s campus.

To get to the center:
1) Take line 4 to the Sungshin Women’s University Entrance 성신여자대학교입구) stop.
2) Go out exit 4 and a building with a traditional Korean roof (hanok) will be in front of you.
3) Go into the building and up to the second floor.

★ Due to a limited number of seats, you must RSVP to womens.global.solidarity@gmail.com and you will receive confirmation when your seat has been reserved.

Korean Sociological Image #74: Child Sex Offender Notices

Korean Sex Offender Website(Source)

Update: With thanks to reader Lily for pointing it out, the notice I received says not to post it on the internet, so I’ve replaced it with a screenshot of the Korean sex offender registry website, www.sexoffender.go.kr. Sorry that that makes the post and comments now difficult to follow.

Received in my letter box this morning. And, presumably, every other one in the neighborhood.

I don’t have time to translate the entire thing sorry, let alone the advice and information provided on the back. But here is the information about his crime:

In October 2011, in Haeundae-gu, XX-dong, this person attempted to rape a teenage girl, but failed. On May 17 2012, he was convicted according to the “Protection of Children and Juveniles from Sexual Abuse Act,” imprisoned for 2 years and 6 months, with 4 years’ probation, given 40 hours of sex violence treatment lectures, and required to have his personal information be made available to the public for 3 years.

Apologies for the confusion — has he just been released? If not, why is this notice being provided now? — and would appreciate it if anyone could clarify.

Meanwhile, regardless of the country, how would you react if you received something similar? Has it happened to any readers before?

Also, you may be interested in comparing this wanted notice sent to all Busan households in March 2010, after the rape and murder of a 13 year-old girl.

(For more posts in the Korean Sociological Image series, see here)

“Good women need our help, bad women need to be punished” — Learning about Sex Workers’ Rights in South Korea

Caption: South Korean women working in the sex industry stand on a stage during a rally in central Seoul on September 22, 2011 in protest at frequent crackdowns by authorities. About 1,500 women wearing masks to conceal their identities chanted slogans such as ‘Sex work is not a crime, but labour!’ and called for the abolition of a special law enacted in 2004 to curb prostitution. [Photo: Jung Yeon-Je — AFP/Getty Images]

[James] — Since September 2011, German-born researcher Matthias Lehmann has been conducting an independent research project to investigate the impact of South Korea’s Anti-Sex Trade Laws on sex workers’ human rights and livelihood. In this guest post for The Grand Narrative, he outlines key events that led to the adoption of the problematic law and the motivation for his research:

Korea’s Anti-Sex Trade Laws

In September 2000, the notorious Gunsan Brothel Fire killed five women who had been held captive. Their tragic deaths exposed the conditions in Korea’s sex industry and triggered a campaign by women’s rights activists to reform the country’s prostitution laws. Their proposals became the blueprint for the Special Laws on Sex Trade (성매매특별법, Seongmaemae Tteukbyeolbeob), enacted in 2004, which include a Prevention Act and a Punishment Act. By passing these new laws, the government vowed to eliminate prostitution and protect victims of exploitation and violence in the sex industry.

The laws drew inspiration from the Swedish Violence Against Women Act (the Kvinnofrid law) from 1999, which criminalises the purchase of sexual services but aims to protect women working in the sex industry. The success of the Swedish model remains heavily contested. In 2010, the government issued an evaluation report that found that the law had achieved its objectives, to which government member Camilla Lindberg and opposition member Marianne Berg responded by publishing a bi-partisan article stating that the law had not only failed to protect women but instead hurt them, and thus had to be repealed.

In Korea, the Special Laws on Sex Trade remain a subject of debate. The Ministry of Gender Equality celebrated the legislation as a milestone achievement that would “vigorously strengthen the protection of the human rights of women in prostitution”. However, others criticise the legislation’s discriminatory attitude towards sex workers, who remain criminalised unless they claim to be victims. This “distinction between victims and those who [voluntarily] sell sex is actually one between protection and punishment” and categorises women into “good women who are worthy of help” and “bad ones who need to be punished”, thus continuing the stigmatisation of women who sell sex.

The Criminalisation of Prostitution Has Failed

Surveys have shown time and again, that despite being illegal, prostitution remains widespread in South Korea. Most recently, a state-funded survey found that 53 per cent of Korea’s sexually active senior citizens bought sex at brothels. A 2005 study found that “only 6 per cent of crimes occurred through the intermediary of a brothel, compared to 34 per cent via the internet, 26 per cent in massage parlours and barber shops.” The same study stated that the Anti-Sex Trade Laws had simply forced prostitutes further underground and overseas, as well as resulted in an increase in Korean sex tourists, a development very similar to that in Sweden.

According to the recent Report of the UNAIDS Advisory Group on HIV and Sex Work, “the approach of criminalising the client has been shown to backfire on sex workers. In Sweden, sex workers who were unable to work indoors were left on the street with the most dangerous clients and little choice but to accept them. … [Criminal laws] create an environment of fear and marginalisation for sex workers, who often have to work in remote and unsafe locations to avoid arrest of themselves or their clients. These laws can undermine sex workers’ ability to work together to identify potentially violent clients and their capacity to demand condom use of clients.”

Caption: Screenshot from a short film by Istvan Gabor Takacs, Hungarian Civil Liberties Union and the Sex Workers’ Rights Advocacy Network

Research Project Korea

Conducting research into the human rights situation of Korean sex workers is of particular importance because, while Korean sex workers have some links to the global sex workers’ rights movement, too little is known about their everyday experiences.

Since 2004, Korean sex workers have repeatedly staged organised protests against the Anti-Sex Trade Laws and police harassment, most famously in May 2011, when pictures of sex workers dousing themselves in flammable liquid made global headlines.

Caption: South Korean prostitutes in underwear and covered in body and face paint, douse themselves in flammable liquid in an apparent attempt to burn themselves after a rally in Seoul, South Korea, Tuesday, May 17, 2011. Hundreds of prostitutes and pimps rallied Tuesday near a red-light district in Seoul to protest a police crackdown on brothels, with some unsuccessfully attempting to set themselves on fire. [AP Photo/Lee Jin-man]

But despite an even bigger protest last September, the human rights situation of sex workers remains grim. While I cannot yet estimate the frequency of such occurrences, it is evident that verbal and physical abuses against sex workers are common features of police raids in the Korean sex industry, as is corruption.

Human Rights become Collateral Damage

Through my previous research and work in the field of human trafficking prevention, I have gained a deeper insight into the negative side effects of anti-trafficking policies. Research by the Global Alliance Against Traffic in Women found that some of them are undesired or unexpected, while others result from problems related to the implementation of new legislation, such as the lack of knowledge, training or aptitude of law enforcement officials.

But there are also desired side effects, resulting from policies that are intentionally worded vaguely and do little more than to satisfy what international human rights standards require. As a result, human rights quickly become the collateral damage of urban redevelopment projects, such as in Seoul’s Yeongdeungpo district, or efforts to curb unofficial migration and undocumented labour.

The conflation of anti-trafficking measures with campaigns to eradicate the sex industry has resulted in uneven policies that do not help the majority of trafficking victims, but instead drive the sex industry further underground, cutting off sex workers from their usual support networks.

Improving sex work-related legislation is a hotly contested issue that deserves to be discussed on the basis of sound knowledge, which I like to contribute to through my research. However, my project is not just meant to add to academic or legal discourses.

Graphic Novel about Sex Work

Sex workers often rightly criticise researchers, politicians or the media for distorting the reality of the sex industry. We are therefore developing a graphic novel entirely based on experiences shared with us by sex workers in Korea. It will be made available in both English and Korean, with the publication planned for the second half of this year.

Many Koreans have a keen interest in supporting humanitarian causes abroad. Yet, I have found that they are often quite surprised to learn that the hardships that sex workers endure in Korea can be quite different from their expectations.

Through the graphic novel, we would like to help making the situation of Korean sex workers known to a wider audience, both in Korea and abroad, in order for people to better understand that sex workers are part of their communities and deserve the same rights just as everyone else.

Research Project Korea + You!

Research Project Korea is an independent research project, unaffiliated to any university or organisation and exclusively funded by private donations. We publish regular updates on the project’s website, where you can also learn more about my team, and you can follow us via Facebook and Twitter. A Korean language section will be added to the website shortly.

Please visit our website to learn how you can support us and how our funds are spent.

WordPress: http://researchprojectkorea.wordpress.com/
Facebook: http://www.facebook.com/Research.Project.Korea
Twitter: http://twitter.com/#!/photogroffee

Further information and highly recommended viewing/reading

[VIDEO] “We want to save you. And if you don’t appreciate it, we will punish you!”
Swedish sexworker Pye Jacobsson on the criminalization of clients
http://swannet.org/node/1512

[ARTICLE] Wendy Lyon “UNAIDS Advisory Group condemns Swedish sex purchase ban”
http://feministire.wordpress.com/2012/01/29/unaids-advisory-group-condemns-swedish-sex-purchase-ban/

[VIDEO] South Korean sex workers rally | Reuters News Agency
http://www.reuters.com/video/2011/09/22/south-korean-sex-workers-rally?videoId=221848792

[IMAGES] South Korean Prostitutes Protest Closing of Brothels
http://www.time.com/time/photogallery/0,29307,2072487,00.html

[ORGANISATION] Giant Girls – Korean Sex Workers Union
http://www.ggSexworker.org

[ORGANISATION] Hanteo – National Sex Workers Union
http://www.han-teo.co.kr